All Stories

  1. Integrated Imaging and Spectroscopic Analysis of Residual Polychromy on the Roman Sculptures of the National Archaeological Museum of Formia (LT), Italy
  2. Drone‐Based High‐Resolution LiDAR for Undercanopy Archaeology in Mediterranean Environment: Rusellae Case Study (Italy)
  3. ROME TRANSFORMED: STUDYING THE TRANSFORMATION OF THE EASTERN CAELIAN
  4. Reproductions of State Cultural Property: the new Ministerial Decree 108/2024
  5. The changing face of the eastern Caelian in the 1st–4th centuries AD:
  6. The Administration of the Imperial Property Under Constantine in the Light of His Donations to the Church of Rome
  7. The topography of Rome.
  8. THE FALERII NOVI PROJECT
  9. New Evidence about the Polychromy of Early Imperial Cycle from the Augusteum of Rusellae (Tuscany)
  10. ROME TRANSFORMED: FIELDWORK IN SOUTH-EAST ROME
  11. Memoria dell’Antico
  12. Epitome and Its Surroundings: Between Written and Figural Domains
  13. Dai Castra Noua alla Basilica Lateranensis, trasformazioni della Roma costantiniana
  14. ROME TRANSFORMED: INTERDISCIPLINARY ANALYSIS OF THE EASTERN CAELIAN (ROME)
  15. Urban Investigations in the Heart of Rome: The Rome Transformed Project
  16. Gli scavi sotto la Basilica di San Giovanni in Laterano: conoscenza, restauro e musealizzazione
  17. ROME TRANSFORMED: RESEARCHING THE EASTERN CAELIAN C1-C8 CE (ROME)
  18. SAN GIOVANNI IN LATERANO 2 PROJECT (SGL2)
  19. Visualising the Constantinian Basilica
  20. The Evolution of the Lateran: From the Domus to the Episcopal Complex
  21. The Castra Nova and the Severan Transformation of Rome
  22. The Lateran Basilica to 1600
  23. The Nymphaeum of Pope Hilarus
  24. Ground-Penetrating Radar Survey in the Saint John Lateran Basilica Complex
  25. Caligula: Notes and a Hypothesis about the Ancient Context
  26. La Σκιά (Hbr. 10,1) e la verità dei colori
  27. Oplontis, 79 A.D.: colours on marble furnishing from the Villa of Poppaea
  28. THE LATERAN PROJECT: INTERIM REPORT FOR THE 2018–19 SEASON (ROME)
  29. Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum
  30. I vescovi e l’uso del ritratto in età paleocristiana
  31. Composite Constantine
  32. Reflections on Colour Coding in Roman Art
  33. THE LATERAN PROJECT: INTERIM REPORT FOR THE 2017–18 SEASON (ROME)
  34. Il Ritratto Dipinto in Età Tardoantica
  35. Vatikanische Museen. Museo Gregoriano Profano ex Lateranense
  36. Dal palatium imperiale al palatium pontificio
  37. THE LATERAN PROJECT: INTERIM REPORT FOR THE 2016–17 SEASON (ROME)
  38. THE LATERAN PROJECT: INTERIM REPORT FOR THE 2015–16 SEASON (ROME)
  39. Roma tardoantica come spazio della rappresentazione trionfale
  40. Figurato e scritto
  41. The Memory of the Bishop in the Early Christian Basilica
  42. Ridefinizione degli spazi urbani nella Firenze tardoantica
  43. Old St. Peter’s and the emperor Constans? A debate with G. W. Bowersock
  44. Spätantike Ehrenstatuen zwischen Distanz und Dialog
  45. THE LATERAN PROJECT: INTERIM REPORT FOR THE JANUARY 2014 SEASON (ROME)
  46. CHI PARLA A CHI?
  47. 6 The Culture of Collecting in Roma: Between Politics and Administration
  48. Saint Peter's and the city of Rome between Late Antiquity and the early Middle Ages
  49. The Lateran Project: interim report on the July 2012 and January 2013 seasons (Rome)
  50. Historisierung idealer Figuren
  51. Archaeological Fieldwork Reports: The Lateran Project
  52. L’episcopio lateranense dalle origini all’Alto Medioevo
  53. Die neuen Großgrabungen im 18. und 19. Jahrhundert: Forum Romanum und Kaiserforen
  54. Saint Peter's, Leo the Great and the leprosy of Constantine
  55. Victors and Pilgrims in Late Antiquity and the Early Middle Ages
  56. L’area lateranense in età tardoantica e le origini del Patriarchio
  57. Progetto architettonico e percezione comune in età tardoantica
  58. The Museo Pio-Clementino at the time of the Grand Tour
  59. Le proprietà private nell'area lateranense fino all'età di Costantino
  60. Termini muti di centurazione o contropesi di torchi ?
  61. L'Ager Veientanus in Età Repubblicana
  62. Il museo come “Spolienraum”
  63. Il ‘Museo Ecclesiastico’ e dintorni
  64. Vatican