All Stories

  1. Chapter 14. Detoxification: Nazi Remakes of E.A. Dupont’s Blockbusters
  2. Reading Private Photography
  3. Heimatfotografie in jüdischen Privatalben im nationalsozialistischen Deutschland
  4. Detoxification:
  5. Exile Photography: An Introduction
  6. Jenny Hestermann, Inszenierte Versöhnung. Reisediplomatie und die deutsch-israelischen Beziehungen von 1957 bis 1984. (Wissenschaftliche Reihe des Fritz Bauer Instituts, Bd. 28.) Frankfurt am Main/New York, Campus 2016
  7. Introduction
  8. Jewish Displacement and Simulation in the German Films of E. A. Dupont
  9. Introduction: From Weimar to the Cold War
  10. The Jewish Places of Weimar Cinema: Reconsidering Karl Grune’s The Street
  11. Homecoming as a dead end: place and displacement in the new Israeli documentary film
  12. The future of history as film: apropos the publication ofA Companion to Historical Film
  13. Zionism and violence in Albert Einstein’s political outlook
  14. Homecoming as a National Founding Myth: Jewish Identity and German Landscapes in Konrad Wolf’s I was Nineteen
  15. The Discussion of Jewish Experiences in German Popular Genre Films before Hitler
  16. Epilogue
  17. Weimar Film and Jewish Acculturation
  18. The Jews Have No Shame: The “Jewish Tragedy” in Weimar Urban Comedies
  19. Assimilating the Shrew: Alraune and the Discussion of Biological Difference in Weimar Horror Film
  20. Reframing the Interwar Peace Movement: The Curious Case of Albert Einstein
  21. German Jewish Athletes and the Formation of Zionist (Trans-)National Culture
  22. Ridiculous Trauma: Comic Representations of the Nazi Past in Contemporary German Visual Culture
  23. Middle-Class Heroes: Anti-Nationalism in the Popular Adventure Films of the Weimar Republic
  24. Ridiculous Trauma: Comic Representations of the Nazi Past in Contemporary German Visual Culture
  25. Rethinking the role of film in German history: The Jewish comedies of the Weimar Republic
  26. Introduction