All Stories

  1. Reimagining Beckett's Not I in Virtual Reality: The MetaHuman as a Digital Double of the Actor
  2. Introduction: The Anthropos in the Room – Beckett and the Anthropocene
  3. 31. Samuel Beckett and Border Thinking
  4. 25. Introduction: How Movements Might Move
  5. 27. ‘Make the New Legible through Experimentation’: A Conversation on the (Ongoing) Avant-Garde
  6. 30. ‘How Do We Make a Room in the Theatre?’ A Conversation about Design for Pan Pan Theatre, Dublin
  7. 17. Introduction: (Im)material Legacies, Living Traditions
  8. (anti-)capitalsism: a manifesto
  9. Introduction: Sensing Modernism in Theatre
  10. Corey Wakeling. Beckett’s Laboratory: Experiments in the Theatre Enclosure
  11. The Edinburgh Companion to Modernism in Contemporary Theatre
  12. Directing Play in digital culture
  13. Coda Viral Beckett
  14. Beckett’s Voices / Voicing Beckett
  15. Without Colour: Beckett and the Stage Voice
  16. Samuel Beckett in Virtual Reality: Exploring Narrative Using Free Viewpoint Video
  17. How It Is
  18. Editorial Note
  19. Editorial Note
  20. Beckettian Pedagogies: Learning through Samuel Beckett
  21. Experimental Beckett
  22. Bertolt Brecht and the David Fragments (1919–1921)
  23. Mixed Reality and Volumetric Video in Cultural Heritage: Expert Opinions on Augmented and Virtual Reality
  24. Exploring volumetric video and narrative through Samuel Beckett’s Play
  25. Beckett in VR
  26. ‘Void cannot go’
  27. Virtual Play in Free-Viewpoint Video: Reinterpreting Samuel Beckett for Virtual Reality
  28. Enemy of the Stars in Performance
  29. Critical pedagogies and the theatre laboratory
  30. Anna McMullan,Performing Embodiment in Samuel Beckett's Drama
  31. The Samuel Beckett Laboratory 2013
  32. ‘First both’: Introduction to ‘the Performance Issue’
  33. Ireland, Memory and Performing the Historical Imagination
  34. A Theatre of the Unword: Censorship, Hegemony and Samuel Beckett
  35. Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject
  36. Analogue Krapp in a Digital Culture Reviewed 28 April 2010, Gate Theatre, Dublin
  37. Theatrum Philosophicum: A Platonic Turn in Theatre Scholarship