All Stories

  1. Fact or Fiction? Dissociative Identity Disorder, Narrative, and the Agency Afforded by Integration
  2. I and We: Hannah Arendt, Participatory Plurality, and the Literary Scaffolding of Collective Intentionality
  3. From Affective Schemata to Authentic Becoming: How Reading about Bodies Can Shape Our Mental Landscape and Philosophical Outlook; Postcritique and A. S. Byatt's "A Stone Woman"
  4. Fantasy, Fiction, and the Foundations of “Relational Authenticity”: J. M. Barrie'sPeter and Wendyand Søren Kierkegaard'sFear and TremblingRevisited
  5. Performance and Cognition: How the Performing Arts Contribute to The Science of Mind
  6. Relational Authenticity
  7. Goosebumps, Shivers, Visualization, and Embodied Resonance in the Reading Experience: The God of Small Things
  8. Dignity of Agency in The Aftermath of Personal Apocalypse: Martha Nussbaum, Lionel Shriver, and the Ethics of the Particular
  9. Enacting Authenticity: Peter Nichols’s Passion Play and Søren Kierkegaard’s Either/Or in Dialogue
  10. “Passionate Reciprocity”: Love, Existentialism, and Bodily Knowledge in The French Lieutenant’s Woman
  11. Conclusion
  12. Trusting Performance
  13. “A Spiritual Dance:” Moisés Kaufman’s 33 Variations
  14. “A Doubling of Immortality:” Cognitive Inter(con)textuality and Tom Stoppard’s Travesties
  15. From Empathy to Sympathy: Staging Change and Conciliation in Timberlake Wertenbaker’s Our Country’s Good
  16. "Too far gone in disgust": Mirror Neurons and the Manipulation of Embodied Responses in The Libertine
  17. “It is required/You do awake your faith”: learning to trust the body through performing The Winter’s Tale NAOMI ROKOTNITZ