All Stories

  1. Finding Leadership in Media Education
  2. Cem Yılmaz, Telecinematic Genre Revival and Ideology of the Turkish Film Remakes
  3. Fragments of Repression and Resistance
  4. Media Systems and Media Capture in Turkey: A Case Study
  5. On land, memory, and masculinity: unearthing silences around myths of Gallipoli in Nuri Bilge Ceylan’s Ahlat Ağacı (The Wild Pear Tree)
  6. Examinations and Analysis of Sequels and Serials in the Film Industry
  7. Contemporary Balkan cinema: transnational exchanges and global circuits
  8. Repressed media and illiberal politics in Turkey: the persistence of fear
  9. Turkish online film distribution: Fighting for Indie filmmaking in a neoliberal and censored context
  10. Digital Contention in a Divided Society: Social Media, Parades and Protests in Northern Ireland
  11. Books Received 2021
  12. Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training
  13. Books Received 2020
  14. Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic
  15. Screening the Red Army Faction: Historical and Cultural Memory
  16. Turkish media structure in judicial and political context
  17. Book review: Mainstreaming the Headscarf: Islamist Politics and Women in the Turkish Media
  18. Books received
  19. Remembering Thomas Elsaesser and Peter Wollen
  20. Books Recevied 2018-19
  21. Editorial
  22. Four Women in the Harem (1965) by Halit Refiğ: The Construction of “National Cinema” in Turkey
  23. Role of Islam in telling Women's stories in Turkish Cinema
  24. News Media Consolidation and Censorship in Turkey
  25. Media and Politics in Turkey
  26. Locating Turkish Cinema Between Populist Tendencies and Art Cinema
  27. The Palgrave Handbook of Asian Cinema
  28. Ethnicity in contemporary European media and cinema
  29. For Those Who Seek Mastery and Personality, by Halit Refiğ
  30. Books received
  31. Book review: Aesthetics of Displacement: Turkey and its Minorities on ScreenKoksalOzlemAesthetics of Displacement: Turkey and its Minorities on Screen. New York: Bloomsbury, 2016. 248 pp. $120
  32. A Theory of National Cinema in Turkey
  33. Turkish Cinema
  34. SceneMaker: Creative Technology for Digital StoryTelling
  35. 8. Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism
  36. 51st International Antalya Golden Orange Film Festival (2015)
  37. Social movements and their technologies: Wiring social changeMilanStefania, Social movements and their technologies: Wiring social change. Palgrave Macmillan: London, 2013; xiii + 233 pp.: ISBN-10: 0230309180, $90.00 (hbk)
  38. New Media and Film Festivals in the Middle East
  39. Technology and the Turkish Mind: Internet Animation as Counter Culture in Turkey
  40. Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love
  41. The Impacts of Tablet Use for Eliminating the Time-Space Barriers in University Education: A Turkish Experience
  42. Women and Turkish Cinema
  43. Nation, Genre and Female Performance in Canadian Cinema
  44. Antalya Golden Orange Film Festival
  45. Memory, Identity and Desire: A Psychoanalytic Reading of David Lynch’s Mulholland Drive
  46. Return to Reality: Towards A More Tactile Cognition of Film Theory
  47. Media and Democracy in Turkey
  48. Reinvigorating Film Studies: An Immodest Proposal
  49. The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory Slavoj ŽižekThe Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory Slavoj Žižek London: British Film Institute, 2001, 240 pp.
  50. Cassavetes, John (1929--1989)