All Stories

  1. Biography, Craft, Creative Labour: The Timeliness of Dai Vaughan'sPortrait of an Invisible Man: The Working Life of Stewart McAllister, Film Editor
  2. The newsreel commentator, the actor, the intellectual, and the broadcaster: celebrity and personality voices in classic British documentary
  3. Introduction
  4. Only Context: Canonising Humphrey Jennings/Conceptualising British Documentary Film History
  5. Dai Vaughan: ‘Between a Word and a Thing / You Encounter Only Yourself’
  6. From <I>Storm Over Asia</I> to <I>Dawn Over Africa</I>: Transnationalism and imperialism in British intellectual film culture of the late 1920s and 1930s
  7. Technicians of the unknown cinema: British critical discourse and the analysis of collaboration in film production
  8. Another Look at Third Cinema
  9. Eisenstein, Shub and the Gender of the Author as Producer