All Stories

  1. Fifteenth century Florentine mural investigated in situ with VNIR Hyperspectral Imaging and NIR Photography supports interpretation as a bloodletting scene
  2. Environmentally friendly YIn0.9Fe0.1O3-ZnO yellow pigment displaying near infra red (NIR) reflectance and photocatalytic activity
  3. Hyperspectral imaging and convolutional neural networks for augmented documentation of ancient Egyptian artefacts
  4. An investigation of the photostability of 19th century artists’ cochineal lake pigments using MFT and conventional accelerated ageing tests
  5. The Non-Invasive Spectroscopic Study of a Parchment Object from the National Central Library of Florence: The Hebrew Scroll
  6. A Formulation for a New Environmentally Friendly Varnish for Paintings
  7. The man who became a Blue Glass. Reflectance hyperspectral imaging discloses a hidden Picasso painting of the Blue period
  8. A Novel Transmittance Vis–NIR Hyper-Spectral Imaging Scanner for Analysis of Photographic Negatives: A Potential Tool for Photography Conservation
  9. Application of a hyperspectral camera for colorimetric measurements on polychrome surfaces in a controlled environment and evaluation of three image processing software for displaying colorimetric data: Pros and cons of the methodology presented
  10. The Use of UV-Visible Diffuse Reflectance Spectrophotometry for a Fast, Preliminary Authentication of Gemstones
  11. Ancient Egyptian Hieroglyphs Segmentation and Classification with Convolutional Neural Networks
  12. “Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
  13. Reflectance hyperspectral data processing on a set of Picasso paintings: which algorithm provides what? A comparative analysis of multivariate, statistical and artificial intelligence methods
  14. To be or not to be an azo pigment: Chemistry for the preservation of historical β-naphthol reds in cultural heritage
  15. Application of Infrared Reflectance Spectroscopy on Plastics in Cultural Heritage Collections: A Comparative Assessment of Two Portable Mid-Fourier Transform Infrared Reflection Devices
  16. Picasso’s 1917 paint materials and their influence on the condition of four paintings
  17. Remote-sensing hyperspectral imaging for applications in archaeological areas: Non-invasive investigations on wall paintings and on mural inscriptions in the Pompeii site
  18. How Good Are RGB Cameras Retrieving Colors of Natural Scenes and Paintings?—A Study Based on Hyperspectral Imaging
  19. An Alternative Phase-Sensitive THz Imaging Technique for Art Conservation: History and New Developments at the ENEA Center of Frascati
  20. Non-invasive techniques applied to the alchemical codex of the State Archive of Florence
  21. The identification of synthetic organic red pigments in historical plastics: Developing an in situ analytical protocol based on Raman microscopy
  22. The multi-analytical in situ analysis of cadmium-based pigments in plastics
  23. A fast non-invasive method for preliminary authentication of mediaeval glass enamels using UV–visible–NIR diffuse reflectance spectrophotometry
  24. Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico
  25. Evaluation of the Data Quality from a Round-Robin Test of Hyperspectral Imaging Systems
  26. Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios
  27. Macro X-ray fluorescence and VNIR hyperspectral imaging in the investigation of two panels by Marco d'Oggiono
  28. Chemical Analysis in Cultural Heritage
  29. Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)
  30. Merging of imaging techniques based on reflectance hyperspectral and neutron tomography for characterization of a modern replica of a 13th century knife from Croatia
  31. Noninvasive Analytical and Diagnostic Technologies for Studying Early Renaissance Wall Paintings
  32. JAIC special issue on “Reflectance hyperspectral imaging to support documentation and conservation of 2D artworks”
  33. Short-wave infrared reflectance hyperspectral imaging for painting investigations: A methodological study
  34. Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques
  35. UV-Vis spectroscopy
  36. The ageing of model pigment/linseed oil systems studied by means of vibrational spectroscopies and chemometrics
  37. The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques
  38. Assessment of multispectral and hyperspectral imaging systems for digitisation of a Russian icon
  39. An in situ non-invasive study of two Tibetan manuscripts from the Asian Collection of the Museum of Natural History in Florence
  40. Guest Editorial: Special Issue on THz Radiation Applied to Cultural Heritage
  41. Contemporary artists' spinel pigments: Non-invasive characterization by means of electronic spectroscopy
  42. Vis-NIR Hyperspectral and Terahertz Imaging Investigations on a Fresco Painting on “Tavella” by Alessandro Gherardini
  43. Investigation on water content in fresco mock-ups in the microwave and near-IR spectral regions
  44. When It Is Not Only About Color: The Importance of Hyperspectral Imaging Applied to the Investigation of Paintings
  45. Case Studies Regarding the Application of THz Imaging to Cultural Heritages
  46. Terahertz Waves and Cultural Heritage: State-of-the-Art and Perspectives
  47. Insights on the Side Panels of the Franciscan Triptych by Fra Angelico Using Terahertz Time-Domain Imaging (THz-TDI)
  48. Discovering “The Italian Flag” by Fernando Melani (1907–1985)
  49. Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts
  50. Fra Angelico’s painting technique revealed by terahertz time-domain imaging (THz-TDI)
  51. Non-invasive Florentine Renaissance Panel Painting Replica Structures Investigation by Using Terahertz Time-Domain Imaging (THz-TDI) Technique
  52. A new 3D THz scanner for the THz-ARTE project
  53. Keith Haring in Pisa and Melbourne: Controversy and conservation
  54. Pre-hispanic pigments and Italian renaissance designs at Spanish colonial missions churches in Northern Mexico
  55. The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints
  56. Multivariate analysis of combined reflectance FT-NIR and micro-Raman spectra on oil-paint models
  57. Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR
  58. Experimental study on merits of virtual cleaning of paintings with aged varnish
  59. An integrated multi-medial approach to cultural heritage conservation and documentation: from remotely-sensed lidar imaging to historical archive data
  60. Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique
  61. Multivariate Analysis of Combined Fourier Transform Near-Infrared Spectrometry (FT-NIR) and Raman Datasets for Improved Discrimination of Drying Oils
  62. Hyperspectral remote sensing techniques applied to the noninvasive investigation of mural paintings: a feasibility study carried out on a wall painting by Beato Angelico in Florence
  63. Test measurements on a secco white-lead containing model samples to assess the effects of exposure to low-fluence UV laser radiation
  64. Anselm Kiefer: a study of his artistic materials
  65. Accuracy in Colour Reproduction: Using a ColorChecker Chart to Assess the Usefulness and Comparability of Data Acquired with Two Hyper-Spectral Systems
  66. Obtaining noninvasive stratigraphic details of panel paintings using terahertz time domain spectroscopy imaging system
  67. A multidisciplinary approach to the investigation of “La Caverna dell’Antimateria” (1958–1959) by Pinot Gallizio
  68. Colour and Space in Cultural Heritage: Interdisciplinary Approaches to Documentation of Material Culture
  69. Terahertz and millimetre wave imaging for wall painting investigation
  70. Terahertz and millimetre wave imaging for wall painting investigation
  71. A millimeter wave/terahertz 3D scanner for wall painting investigation
  72. Comparative Study of Fourier Transform Infrared Spectroscopy in Transmission, Attenuated Total Reflection, and Total Reflection Modes for the Analysis of Plastics in the Cultural Heritage Field
  73. A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours
  74. Terahertz time domain imaging for cultural heritage
  75. Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry
  76. Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection
  77. Chemical curing in alkyd paints: An evaluation via FT-IR and NMR spectroscopies
  78. Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes
  79. Colour and Space in Cultural Heritage: Key Questions in 3D Optical Documentation of Material Culture for Conservation, Study and Preservation
  80. Study of the effects of low-fluence laser irradiation on wall paintings: Test measurements on fresco model samples
  81. Fibre Optic Reflectance Spectroscopy as a non-invasive tool for investigating plastics degradation in contemporary art collections: A methodological study on an expanded polystyrene artwork
  82. THz techniques as a complementary non-invasive diagnostic method for the study of medieval panel paintings
  83. Extending hyperspectral imaging from Vis to NIR spectral regions: a novel scanner for the in-depth analysis of polychrome surfaces
  84. Reflectance spectroscopy safeguards cultural assets
  85. The artists’ materials of Fernando Melani: A precursor of the Poor Art artistic movement in Italy
  86. Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis
  87. Terahertz Spectroscopy and Imaging
  88. Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts
  89. Trans-illumination and trans-irradiation with digital cameras: Potentials and limits of two imaging techniques used for the diagnostic investigation of paintings
  90. Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers
  91. Open issues in hyperspectral imaging for diagnostics on paintings: when high-spectral and spatial resolution turns into data redundancy
  92. Application of THz sensing to analysis of works of art for conservation
  93. A new artists' materials spectroscopic archive in the THz region
  94. Examination of pigments by using FT-THz
  95. Terahertz spectroscopy and imaging for material analysis in conservation science
  96. Terahertz spectroscopy applied to the analysis of artists’ materials
  97. CHARACTERIZATION OF TRADITIONAL DYES OF THE MEDITERRANEAN AREA BY NON-INVASIVE UV-VIS-NIR REFLECTANCE SPECTROSCOPY
  98. Terahertz imaging systems: a non-invasive technique for the analysis of paintings
  99. The vibrational spectroscopy of indigo: A reassessment
  100. A study of the blue colors used by Telemaco Signorini (1835–1901)
  101. An integrated spectroscopic approach for the identification of what distinguishes Afghan lapis lazuli from others
  102. The ancient stained windows by Nicolò di Pietro Gerini in Florence. A novel diagnostic tool for non-invasive in situ diagnosis
  103. Use of mid-infrared fiber-optic reflectance spectroscopy (FORS) to evaluate efficacy of nanostructured systems in wall painting conservation
  104. Integrated non-invasive technologies for the diagnosis and conservation of the cultural heritage
  105. Fiber optic reflectance spectroscopy and hyper-spectral image spectroscopy: two integrated techniques for the study of the Madonna dei Fusi
  106. Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques
  107. Disposable Indicators for Monitoring Lighting Conditions in Museums
  108. Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis
  109. Non-invasive fibre optic Fourier transform-infrared reflectance spectroscopy on painted layers
  110. Mid-Infrared Fiber-Optics Reflectance Spectroscopy: A Noninvasive Technique for Remote Analysis of Painted Layers. Part I: Technical Setup
  111. Mid-Infrared Fiber-Optics Reflectance Spectroscopy: A Noninvasive Technique for Remote Analysis of Painted Layers. Part II: Statistical Analysis of Spectra
  112. Evaluation of the museum environmental risk by means of tempera-painted dosimeters
  113. Tempera-Painted Dosimeters for Environmental Indoor Monitoring:  A Spectroscopic and Chemometric Approach
  114. Principal Component Analysis of Spectral Data: A Contribution to the Knowledge of the Materials Constituting Works of Art
  115. Non-destructive spectroscopic detection of cobalt(II) in paintings and glass
  116. Principal Component Analysis of Near-Infrared and Visible Spectra: An Application to a XIIth Century Italian Work of Art
  117. Color Analysis of the Brancacci Chapel Frescoes: Part II