All Stories

  1. Female-Voice Song and Women’s Musical Agency in the Middle Ages
  2. Case Studies I
  3. Case Studies II: Textual Witnesses to Insular–Continental Networks
  4. Epilogue
  5. Liturgy and Devotion in Insular Witnesses to the Cult of the Three Kings of Cologne
  6. Textual Witnesses to Insular Liturgies
  7. Music and Liturgy in Medieval Britain and Ireland
  8. Making Sense of Omnis / Habenti:
  9. Mediaeval Carols, transcribed and ed. by John Stevens, 3rd rev. edn prepared by David Fallows, Musica Britannica 4. London: Stainer & Bell and the Musica Britannica Trust, 2018. xxxiv + 180 pp. £98. ISBN 978 0 852 49958 0. - David Fallows, Henry V and ...
  10. Containing Chaos? Aspects of Medieval Liturgy in James MacMillan’sVisitatio Sepulchri
  11. Past Tense
  12. A Critical Companion to Medieval Motets. Ed. by Jared C. Hartt
  13. Music Beyond Airports: appraising ambient music
  14. Music in the Margins
  15. Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge: Cambridge University Press, 2015). xvii + 301 pp. £69.99 (hb); £22.99 (pb). ISBN 9781107039667.Anna Zayaruznaya, Upper‐Voice Structures and Compositional Proc...
  16. High or Low? Medieval English Carols as Part of Vernacular Culture, 1380–1450
  17. Channelling the ecstasy of Hildegard von Bingen: "O'Euchari" remixed
  18. Book Reviews
  19. Polyphony in facsimile
  20. Recomposing the Past: Representations of Early Music on Stage and Screen
  21. Editorial
  22. Music, text and structure in 14th-century English polyphony: the case of Ave miles celestis curie
  23. Angel Song: Medieval English Music in History
  24. ‘Sowndys and melodiis’: Perceptions of Sound and Music in Late Medieval England
  25. Laura  Seddon, British Women Composers and Instrumental Chamber Music in the Earliest Twentieth Century (Farnham: Ashgate, 2013), pp. 248. ISBN 978-1-409-43945-5 (hb).
  26. Gender, Age and Musical Creativity
  27. Fourteenth-century music
  28. Fifteenth-Century Liturgical Music, VIII: Settings of the Gloria and Credo. Ed. by Peter Wright. * The Eton Choirbook: Facsimile and Introductory Study. Ed. by Magnus Williamson. * Songs in British Sources c.1150-1300. Ed. by Helen Deeming
  29. Lady Gaga and Popular Music
  30. Mapping medieval music
  31. English Masses at home and abroad
  32. Languishing for provenance: Zelo tui langueo and the search for women's polyphony in England
  33. Introduction: Recycling and Innovation in Contemporary Music
  34. The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir
  35. A Unique Source of English Tablature from Seventeenth-Century Huddersfield
  36. The Gendered Musical Score: Music in 1940s Melodrama and the Woman's Film. By Heather Laing. Ashgate, 2007. 196 pp. ISBN 978-0-7546-5100-0 (hb)
  37. Music from the Middle Ages
  38. Nuns' voices
  39. Breaking into song
  40. Kate Bush and Hounds of Love. By Ron Moy. Ashgate, 2007. 148 pp. ISBN 978-0-7546-5798-9 (pb)
  41. The Articulation of Virginity in the Medieval Chanson de nonne
  42. Book Reviews
  43. Reconstructing Cluniac music: Bryan Gillingham, Music in the Cluniac ecclesia: a pilot project (Ottawa: Institute of Medieval Music, 2006), $96
  44. The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005),  60/$110
  45. Music in pre-Reformation York: a new source and some thoughts on the York Masses