All Stories

  1. Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies

    Article • Computer Music Journal, January 2020, The MIT Press

    Dr Lauren S Hayes

  2. Beyond Skill Acquisition: Improvisation, Interdisciplinarity, and Enactive Music Cognition

    Article • Contemporary Music Review, November 2019, Taylor & Francis

    Dr Lauren S Hayes

  3. Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures

    Article • March 2019, ACM (Association for Computing Machinery)

    Dr Lauren S Hayes

  4. Desert and Sonic Ecosystems: Incorporating Environmental Factors within Site-Responsive Sonic Art

    Article • Applied Sciences, January 2018, MDPI AG

    Dr Lauren S Hayes

  5. Live Electronic Music Performance

    Article • January 2018, ACM (Association for Computing Machinery)

    Dr Lauren S Hayes

  6. Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education

    Article • Computer Music Journal, September 2017, The MIT Press

    Dr Lauren S Hayes

  7. From Site-specific to Site-responsive: Sound art performances as participatory milieu

    Article • Organised Sound, March 2017, Cambridge University Press

    Dr Lauren S Hayes

  8. Towards an Aesthetics of Touch

    Article • January 2017, ACM (Association for Computing Machinery)

    Dr Lauren S Hayes

  9. Skin Music (2012)

    Article • June 2015, ACM (Association for Computing Machinery)

    Dr Lauren S Hayes

  10. Haptic Augmentation of the Hybrid Piano

    Article • Contemporary Music Review, October 2013, Taylor & Francis

    Dr Lauren S Hayes

  11. Imposing a Networked Vibrotactile Communication System for Improvisational Suggestion

    Article • Organised Sound, February 2012, Cambridge University Press

    Dr Lauren S Hayes