All Stories

  1. Towards a comprehensive picture of Australian literature beyond the publishing capitals
  2. The significance of place in book publishing: Insights from community publishing in regional Australia
  3. Story Thinking and the Real-world Applications of Sci-Fi and Fantasy Writing
  4. Stories and systems: Exploring technological impact in complex systems through creative writing techniques
  5. Three New Myths for Inspiration
  6. Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
  7. Calibrating possibility
  8. Story thinking for technology foresight
  9. Project Ursula speculative fiction techniques for technology foresight: facilitator handbook
  10. The Ursula Project: Conceptual Framework
  11. Writing Bestsellers
  12. Emerging writers/established publishers
  13. Creative resistance: Noah Baumbach’s literary filmography
  14. Georgette Heyer, History and Historical Fiction
  15. What can we Learn about Research Narratives from Professional Storytellers?
  16. Viking tattoos of Instagram: Runes and contemporary identities
  17. Young Adult Fantasy Fiction
  18. What is Australian Popular Fiction?
  19. Genre Worlds and Popular Fiction: The Case of Twenty‐First‐Century Australian Romance
  20. The publishing ecosystems of contemporary australian genre fiction
  21. ‘A crowd at your back’: fantasy fandom and small press
  22. From Middle Earth to Westeros: Medievalism, Proliferation and Paratextuality
  23. Pagan Places: Contemporary Paganism, British Fantasy Fiction, and the Case of Ryhope Wood
  24. Valhallolz: Medievalist humor on the Internet
  25. Writing Resilience in the Digital Age
  26. “Awesome Cleavage”: The Genred Body in World of Warcraft
  27. Genre and speculative fiction
  28. Popular genres and the Australian literary community: the case of fantasy fiction
  29. The Process of Genre: Authors, Readers, Institutions
  30. Giants of the frost
  31. The resurrectionists