All Stories

  1. Africa, film theory and globalization: Reflections on the first ten years of the Journal of African Cinemas
  2. Corporate Communication—Adversarial, Transmission, Dialogical
  3. Cultural studies and the African Global South
  4. Arts, apartheid struggles, and cultural movements
  5. Non-racialism, relationality and no-relation: recovering Biko’s Black Consciousness forgotten
  6. Drawn to See
  7. Where the Roads all End
  8. Hard to Get, film friendliness and local production
  9. From ‘African Cinema’ to film services industries: A cinematic fact
  10. Book Reviews
  11. ‘I will not share my partner’: The ‘care of the self’ in an HIV prevention campaign
  12. Culture, communication and cross-media arts studies: transnational cinema scholarship perspectives
  13. Smaller Lens, Bigger Picture
  14. Griots, satirical columns, and the micro-public sphere
  15. Letter to Prof Keyan Tomaselli
  16. Nobel Laureate Nadine Gordimer dies
  17. New directions
  18. Stuart Hall
  19. Grierson, Afrikaner Nationalism and South Africa
  20. South–North perspectives: the development of cultural and media studies in Southern Africa
  21. CONFERENCE REPORT
  22. Cultural Tourism and Identity
  23. The researcher's guide to Ethiopia: what travel guides don't tell you
  24. Consuming nature: Antarctica, penguins and pollution
  25. Introduction
  26. Alter-egos: Cultural and media studies
  27. The !Xaus Lodge Experience: Matters Arising
  28. Place, Representation and Myth
  29. Making Sense of the Indigenous: Who’s Looking at Whom?
  30. “Die Geld is Op” – Storytelling, Business and Development Strategies
  31. Research Phases: What Have We Been Doing?
  32. Twitter and African Academia
  33. Photojournalism, media freedom and democracy
  34. Overimitation in Kalahari Bushman Children and the Origins of Human Cultural Cognition
  35. ‘Culture’ is not benign
  36. (Afri)Ethics, Communitarianism and Libertarianism
  37. Not Another Media Journal?
  38. Media in Africa
  39. Repositioning African media studies: thoughts and provocations
  40. Thirty years of publishing
  41. New Public Spheres: The Digital Age and Big Brother
  42. À la rencontre de Sembène
  43. Unfinished business: pragmatics and the paradox of Arnold Shepperson
  44. Internationalising Media Studies
  45. Intellectual property rights and the political economy of culture
  46. Rereading theGods Must be CrazyFilms
  47. Dialectical Intellectuals, Essentialism and the African Renaissance
  48. Made in China: The Gods Go East
  49. Paradigm, position and partnerships: Difference in communication studies
  50. Introduction
  51. Transformation of the South African Media
  52. The Media and Mandela
  53. Disarticulating Black Consciousness
  54. Reviews
  55. Introduction
  56. 17. “Speaking in Tongues, Writing in Vision”: Orality and Literacy in Televangelistic Communications
  57. Journalism education: bridging media and cultural studies
  58. "…We Have to Work with our own Heads" (/Angn!ao): San Bushmen and the Media
  59. Multicultural Education in the United States
  60. The semiotics of anthropological authenticity: The film apparatus and cultural accommodation
  61. Contradictory Subjectivity: Movies, Apartheid, and Postmodernism
  62. The Fulbright Experience
  63. Book reviews
  64. Revisiting media and human rights
  65. Cultural Studies as ‘Psycho-babble’. Post-LitCrit, methodology and dynamic justice
  66. Media monitoring methodology: doing it with rhetoric; doing it with numbers
  67. A Confusion of Cinematic Consciousness
  68. Policing the text: disciplinary threats and spin doctoring
  69. Identity and ethnicity through multiple windows
  70. The Australian journalism vs cultural studies debate: implications for South African media studies
  71. FaultingFaultlines: Racism in the South African media
  72. The poverty of journalism: Media studies and 'science'
  73. Cultural studies and renaissance in Africa: recovering praxis
  74. Textualizing the san “past”: Dancing with development
  75. Encounters in the Kalahari: Some points of departure
  76. Psychospiritual ecoscience: The Ju/'hoansi and cultural tourism
  77. Book reviews
  78. Book reviews
  79. The Media in Africa and Africa in the Media:9813Gretchen Walsh. The Media in Africa and Africa in the Media: An Annotated Bibliography. London: Hans Zell Publishers 1996. xxv + 291 pp, ISBN: 1 873836 81 3 Introductory essay by Keyan G. Tomaselli
  80. Book reviews
  81. Trajectories of mobility, films and travelling academics
  82. The Media in Africa and Africa in the Media:97455Gretchen Walsh. The Media in Africa and Africa in the Media: An Annotated Bibliography. London: Hans Zell Publishers 1996. xxv + 291 pp, ISBN: 1 873836 81 3 Introductory essay by Keyan G. Tomaselli
  83. Film and human rights: Whose rights, whose interpretations, what consequences?
  84. Transcending prison as a metaphor of apartheid
  85. Orality, rhythmography and visual representation
  86. Resistance Through Mediated Orality
  87. Academocracy and promotion: fuglemanship vs kludgemanship
  88. Accepting the other: On the Ethics of Intercultural Communication in Ethnographic Film
  89. ‘Pretoria, here we come’: re-historicising the post-apartheid future
  90. Ownership and control in the South African print media: black empowerment after apartheid, 1990–1997
  91. Bibliography and ideology: Keyan Tomaselli replies to Nancy Schmidt
  92. Chopi Music of Mozambique
  93. National symbols: cultural negotiation and policy beyond apartheid
  94. Misreading theory, sloganising analysis: The development of South African media and film policy
  95. Book reviews
  96. Introduction
  97. Theoretical perspectives on cinema in Africa: Culture, identity and Diaspora
  98. Media In and On Africa: A Review of Recent Books
  99. African Stars: Studies in Black South African Performance. VEIT ERLMANN
  100. Media monitoring and methodology
  101. Keyan Tomaselli, Ruth Tomaselli, and Johan Muller, eds.,Broadcasting in South Africa. New York: St Martin’s Press Inc., 1989. 227 pp.
  102. Keyan Tomaselli, Ruth Tomaselli, and Johan Muller, eds.,The Press in South Africa. New York: St. Martin’s Press Inc., 1989. 258 pp.
  103. Mandela, MTV, Television and apartheid
  104. Revisualizing the San in the Nineteen‐Eighties
  105. ‘African’ Cinema — Theoretical Perspectives on Some Unresolved Questions
  106. ‘Colouring It In’: Films in ‘Black’ or ‘White’ - Reassessing Authorship
  107. Disarticulating black consciousness: a way of reading films about apartheid
  108. Reviews
  109. Narrating the Crisis: Hegemony and the South African Press
  110. REVIEWS
  111. People of the Great Sandface
  112. The role of the media in promoting intercultural communication in South Africa
  113. Editor's Introduction
  114. Broadcasting in South Africa
  115. Maids and Madams-Apartheid and Servants
  116. Whatever happened to struggle part 2?
  117. Video, realism and class struggle: Theoretical lacunae and the problem of power
  118. Soviet media in the age of glasnost
  119. : Myth, Race and Power: South Africans Imaged on Film and TV . Keyan Tomaselli, Alan Williams, Lynette Steenveld, Ruth Tomaselli.
  120. : Myth, Race and Power . Keyan Tomaselli, Alan Williams, Lynette Steenveld, Ruth Tomaselli. ; Writing Culture: The Poetics and Politics of Ethnography . James Clifford, George E. Marcus.
  121. Reviews
  122. Review: Myth, Race and Power by Keyan Tomaselli, Alan Williams, Lynette Steenveld, Ruth Tomaselli; Writing Culture: The Poetics and Politics of Ethnography by James Clifford, George E. Marcus
  123. Technology, technique and society
  124. Ideologie, kultuur en hegemonie: Toerusting vir media-ontleding
  125. Media graphics as an interventionist strategy
  126. The Economics of Racism
  127. ‘How to Set Your House in Order’: Read All About It in Steyn Commission II
  128. Some introductory notes on theory and its role and function in the study of media
  129. Ideology/Culture/Hegemony and Mass Media in South Africa: A Literature Survey
  130. Preface
  131. The Semiotics of Alternative Theatre in South Africa
  132. Cape Town, South Africa film festival and conference
  133. Follow That Rainbow: Operation Update
  134. Audience Response in Film Education