All Stories

  1. Editors’ Introduction
  2. Editors’ Introduction
  3. The chapter explores new directions for research in Chinese music
  4. Introduction
  5. Concepts of world music and their integration within western secondary music education
  6. Presence through Sound: Music and Place in East Asia Keith Howard and Catherine Ingram
  7. A literature review and history of ethical ideas and practices in the discipline of ethnomusicology.
  8. A co-edited book with essays on ethics in ethnomusicological research.
  9. Introduction
  10. Introduction
  11. Editors’ Introduction
  12. Scoring Alien Worlds: World Music Mashups in 21st Century Sci-Fi and Fantasy TV, Film and Video Games
  13. A study of music in the everyday, based on fieldwork in a Bunun community in Taiwan
  14. Editors’ Introduction
  15. Editors’ Introduction
  16. Thoughts on Decolonising Ethnomusicology
  17. Erratum
  18. Pop Music and Video in Contemporary China
  19. Musicians and their Audiences
  20. Editorial
  21. Editorial
  22. Editorial
  23. Editorial
  24. Editorial
  25. Editorial
  26. Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk)
  27. Editorial
  28. Implications for Ethnomusicology
  29. Editorial
  30. A chapter on the musical history of China from the Cambridge History of World Music
  31. Patriotism and Nationalism in Music Education edited by David Hebert and Alexandra Kertz-Weizel. Farnham: Ashgate, 2012. xviii + 183 pp., hardback. £55.00. ISBN 9781409430803.
  32. Ritual and Music of North China, Volume 2: Shaanbei
  33. Facing the Music: Shaping Music Education from a Global Perspective by Huib Schippers. New York: Oxford University Press, 2010. Paperback, 240 pp., £15.99. ISBN 978-0195379761.
  34. Fieldwork at Home European and Asian Perspectives
  35. Gamelan Gong Kebyar: The Art of Twentieth‐Century Balinese Music – By Michael Tenzer
  36. Alexander J. Ellis and His Place in the History of Ethnomusicology
  37. “Yang’s Eight Pieces”
  38. Ethnographe, archiviste, producteur, activiste... : Les nombreuses vies d'Anthony Seeger
  39. Addendum: A Response to Kagan's Review of Huju: Traditional Opera in Modern Shanghai
  40. Peripheries and interfaces: the Western impact on other music
  41. Documenting the Musical Event: Observation, Participation, Representation
  42. Huju: Traditional Opera in Modern Shanghai. By Jonathan P. J. Stock. [Oxford and New York: Oxford University Press, 2003. 279 pp. £45.00. ISBN 0-19-726273-2.]
  43. Concepts of world music and their integration within western secondary music education
  44. In the Course of Performance: Studies in the World of Musical Improvisation, edited by Bruno Nettl with Melinda Russell . Chicago: University of Chicago Press, 1998. x, 413 pp.
  45. Music education: perspectives from current ethnomusicology
  46. HujuTraditional Opera in Modern Shanghai
  47. Introduction
  48. Huju and The Politics of Revolution, POST-1949
  49. Ethnomusicological Research in an Urban Setting
  50. The Rise of a Local Opera form in east China, up to 1920
  51. Female Roles and the Rise of Actresses, 1915–c. 1950
  52. Place and Music: Local Opera in Shanghai, 1912–49
  53. Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949
  54. Review: Echoes of History: Naxi Music in Modern China
  55. Sounds of Bronze Age China
  56. REVIEWS OF BOOKS
  57. REVIEWS OF BOOKS
  58. Reviews
  59. Traditional African and Oriental Music by Ottó Károlyi. Penguin Books, 1998. 291 pp, £7.99.
  60. A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera
  61. REVIEWS OF BOOKS
  62. Review essay
  63. Celestial Airs of Antiquity: Music of the Seven-String Zither of China
  64. Chinese Folk Songs and Folk Singers: Shan'ge Traditions in Southern Jiangsu
  65. Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings
  66. REVIEWS OF BOOKS
  67. African Rhythm: A Northern Ewe Perspective
  68. ORCHESTRATION AS STRUCTURAL DETERMINANT: MOZART'S DEPLOYMENT OF WOODWIND TIMBRE IN THE SLOW MOVEMENT OF THE C MINOR PIANO CONCERTO K. 491
  69. Reviews
  70. Imagine...
  71. REVIEWS OF BOOKS
  72. REVIEWS OF BOOKS
  73. Musical Narrative, Ideology, and the Life of Abing
  74. Music, Culture, and Experience: Selected Papers of John Blacking
  75. Reconsidering the Past: Zhou Xuan and the Rehabilitation of Early Twentieth-Century Popular Music
  76. Hoggar: Musique Des Touareg
  77. Communication Problem
  78. Raga Bilaskhani Todi; Raga Puriya; Raga Pilu
  79. Concepts of World Music and their Integration in Western Secondary Music Education
  80. 60 Horses in My Herd: Old Songs and Tunes of Tuva
  81. Tomorrow the World
  82. The Application of Schenkerian Analysis to Ethnomusicology: Problems and Possibilities
  83. A Historical Account of the Chinese Two-Stringed Fiddle Erhu
  84. Three "Erhu" Pieces by Abing: An Analysis of Improvisational Processes in Chinese Traditional Instrumental Music
  85. Reviews
  86. An Ethnomusicological Perspective on Musical Style, with Reference to Music for Chinese Two-Stringed Fiddles
  87. Contemporary recital solos for the Chinese two‐stringed fiddleerhu
  88. A Case for World Music
  89. Music