All Stories

  1. Characterisation of rock varnish at Murujuga (Western Australia): Implications for climate records and petroglyph dating
  2. Aboriginal Rock Art and the Telling of History
  3. Stone artefacts on submerged land surfaces: A response to Larcombe et al.
  4. Provenance analysis of stone artefact assemblages using petrography and pXRF at Murujuga (the Dampier Archipelago), Western Australia
  5. Soil wetting and drying processes influence stone artefact distribution in clay‐rich soils: A case study from Middle Gidley Island in Murujuga, northwest Western Australia
  6. Signalling and Mobility: Understanding Stylistic Diversity in the Rock Art of a Great Basin Cultural Landscape
  7. Considering the Whole Environment in the Arctic Past
  8. Challenging Narratives
  9. Pilbara Fat-Tailed Macropods: Using Multivariate and Morphometric Analyses to Explore Spatial and Stylistic Variability
  10. A method to date rock engravings using luminescence – tested at Murujuga, Western Australia
  11. On the balance of evidence, peopling of Parramatta, Sydney, Australia, occurred after the Last Glacial Maximum: A reply to Quinn et al. (2023) and Owen et al. (2024)
  12. Late Pleistocene scaphopod beads from Boodie Cave and deep time traditions of personal ornamentation in northwest Australia
  13. How many Juukans? The case for heritage conservation strategies into the future
  14. Deep-Time Images in the Age of Globalization
  15. Deep-Time Images and the Challenges of Globalization
  16. Luminescence rock surface exposure and burial dating: a review of an innovative new method and its applications in archaeology
  17. Stone artefacts on the seabed at a submerged freshwater spring confirm a drowned cultural landscape in Murujuga, Western Australia
  18. Correction: Aboriginal artefacts on the continental shelf reveal ancient drowned cultural landscapes in northwest Australia
  19. New approaches for assessing site formation of submerged lithic scatters
  20. The evolution of Australian island geographies and the emergence and persistence of Indigenous maritime cultures
  21. Use of micro-analysis to augment the macro-archaeological investigation of an elevated Holocene shell midden, Dampier Archipelago, NW Australia
  22. A wet strawman: A response to Ward et al.
  23. Histories of Australian Rock Art Research
  24. Beyond the Barriers
  25. The dependable deep time Acacia: Anthracological analysis from Australia’s oldest Western Desert site
  26. Was Aboriginal population recovery delayed after the Last Glacial Maximum? A synthesis of a terminal Pleistocene deposit from the Sydney Basin, New South Wales, Australia
  27. Archaeology, deep history and the culture wars: Why most archaeologists have not critiquedDark Emu
  28. Seeing and managing rock art at Nganjarli: A tourist destination in Murujuga National Park, Western Australia
  29. The integrated cultural landscape of North Gidley Island: Coastal, intertidal and nearshore archaeology in Murujuga (Dampier Archipelago), Western Australia
  30. A multi-scalar approach to marine survey and underwater archaeological site prospection in Murujuga, Western Australia
  31. ‘Disrupting paradise’: Changing pedagogy, practice and specialisations into a collaborative venture to ensure Australian archaeology has a future
  32. Aboriginal artefacts on the continental shelf reveal ancient drowned cultural landscapes in northwest Australia
  33. Seeing the Landscape: Multiple Scales of Visualising Terrestrial Heritage on Rosemary Island (Dampier Archipelago)
  34. Serpents Glen (Karnatukul): New Histories for Deep time Attachment to Country in Australia’s Western Desert
  35. Stone artifacts in the intertidal zone, Dampier Archipelago: Evidence for a submerged coastal site in Northwest Australia
  36. Murujuga Mermaid: a ship amongst the Aboriginal rock art
  37. A Strategy for Assessing Continuity in Terrestrial and Maritime Landscapes from Murujuga (Dampier Archipelago), North West Shelf, Australia
  38. So ends this day:American whalers in Yaburara country, Dampier Archipelago
  39. Karnatukul (Serpent’s Glen): A new chronology for the oldest site in Australia’s Western Desert
  40. Murujuga Rockshelter: First evidence for Pleistocene occupation on the Burrup Peninsula
  41. Testing predictions for symmetry, variability and chronology of backed artefact production in Australia's Western Desert
  42. Underwater archaeology and submerged landscapes in western Australia
  43. Recognition and value of submerged prehistoric landscape resources in Australia
  44. Murujuga (Dampier Archipelago) and the journey towards world heritage recognition
  45. The Archaeology of Portable Art
  46. Archaeology and Rock Art of the North-West Arid Zone with a Focus on Animals
  47. Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning and Significance Edited by Liam M. Brady and Paul S.C. Taçon University Press of Colorado, Boulder, 2016 ISBNs: 978-1-60732-779-0 (paper); 978-1-60732-498-0 (ebook). Pp. 384. US
  48. Pilbara rock art: laser scanning, photogrammetry and 3D photographic reconstruction as heritage management tools
  49. Australia’s Rock Art Heritage
  50. Archaeological discontinuities in the southern hemisphere: A working agenda
  51. Discontinuities in arid zone rock art: Graphic indicators for changing social complexity across space and through time
  52. Digital technologies and quantitative approaches to recording rock art in the Great Basin, USA
  53. Identity signalling in shields: how coastal hunter-gatherers use rock art and material culture in arid and temperate Australia
  54. Murujuga, Northwestern Australia: When Arid Hunter-Gatherers Became Coastal Foragers
  55. The Australian Archaeologist’s Book of Quotations
  56. I must go down to the seas again: Or, what happens when the sea comes to you? Murujuga rock art as an environmental indicator for Australia's north-west
  57. Results from the first intensive dating program for pigment art in the Australian arid zone: insights into recent social complexity
  58. The Archaeology of Memory: The Recursive Relationship of Martu Rock Art and Place
  59. Contemporary Meanings and the Recursive Nature of Rock Art: Dilemmas for a Purely Archaeological Understanding of Rock Art
  60. A Companion to Rock Art
  61. Pictures of Women: The Social Context of Australian Rock Art Production
  62. Western Desert Iconography: Rock art mythological narratives and graphic vocabularies
  63. Lithic Artefact Distribution in the Rouse Hill Development Area, Cumberland Plain, New South Wales
  64. Symbolic behaviour and the peopling of the southern arc route to Australia
  65. Dreamtime Superhighway (Terra Australis 27) Sydney Basin Rock Art and Prehistoric Information Exchange
  66. Dating Of Bush Turkey Rockshelter 3 in the Calvert Ranges establishes Early Holocene Occupation of the Little Sandy Desert, Western Australia
  67. Rock Art and Social Identity: A Comparison of Holocene Graphic Systems in Arid and Fertile Environments
  68. Archaic Faces to Headdresses: The Changing Role of Rock Art Across the Arid Zone
  69. Media and social context: Influences on stylistic communication networks in prehistoric Sydney
  70. The depiction of species in macropod track engravings at an Aboriginal art site in western New South Wales. In F.D. McCarthy, Commemorative Papers (Archaeology, Anthropology, Rock Art), ed. Jim Specht
  71. The Great Mackerel Rockshelter Excavation: Women In The Archaeological Record?