All Stories

  1. The Impact of Hildegard of Bingen’s Bibliographers and Catalogers
  2. Introduction
  3. Music, Liturgy, and Intertextuality in Hildegard of Bingen’s Chant Repertory
  4. The Cambridge Companion to Hildegard of Bingen
  5. Introduction: Material Matters and the Salzinnes Antiphonal
  6. Introduction
  7. Nature, Reason, and Light in Vision—Aus dem Leben der Hildegard von Bingen
  8. Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900
  9. History of a book: Hildegard of Bingen's ‘Riesencodex’ and World War II
  10. Hooked on Ecstasy: Performance ‘Practice’ and the Reception of the Music of Hildegard of Bingen
  11. A morphology of medieval notations in the Optical neume recognition project
  12. Why Size Matters: Music Layout and Order in the Machaut Manuscripts
  13. Hildegard and the Kulturkampf
  14. Conclusion: new century, new abbey, new Hildegard
  15. Forgotten? Hildegard’s reception from 1179 to 1850
  16. Hildegard of Bingen and Musical Reception
  17. Hildegard’s increased veneration and emergence as a composer
  18. Hildegard, tourism, and the politics of chant
  19. Introduction:O virga ac diadema– historiography of a song
  20. The German revival of chant
  21. Was Hildegard Forgotten?
  22. Machaut and the Medieval Apprenticeship Tradition: Truth, Fiction and Poetic Craft. Douglas Kelly. Gallica 35. Woodbridge: Boydell & Brewer, 2014. xx + 356 pp. $99.
  23. Optical music recognition and manuscript chant sources
  24. A Companion to Guillaume de Machaut
  25. ‘. . . et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs
  26. John Haines. 2010. Medieval Song in Romance Languages. Cambridge: Cambridge University Press. 318 pp. ISBN 9780521765749
  27. "Messy Structure"? Multiple Tonal Centers in the Music of Machaut
  28. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages Elizabeth Eva Leach
  29. Introduction
  30. Hildegard, Hermannus, and Late Chant Style
  31. A Sarah Fuller Bibliography
  32. Harry Somers (CD Review)
  33. Ann Southam (CD Review)
  34. Tonal structure and the melodic role of chromatic inflections in the music of Machaut
  35. Norma Beecroft
  36. Violet Archer
  37. THEORIZING THE CADENCE IN THE MUSIC OF MACHAUT