All Stories

  1. Bahrain, Kuwait, Oman, and Qatar
  2. Conclusion
  3. Introduction
  4. Iraq
  5. Jordan
  6. Lebanon
  7. Narratives of Cultural Identity in Contemporary Arab Cinema
  8. Palestine
  9. Saudi Arabia
  10. Syria
  11. UAE
  12. Yemen
  13. Collective Commemoration in Sites of Ruin Keep the Palestinian Nakba Alive
  14. Inhabiting a Comfortable Fiction of the Self: J.M. Coetzee’s Summertime
  15. The City is Closing in: Raja Shehadeh’s Going Home Searches for a Homeland
  16. What Does a Nascent Film Movement of Popular Genres Reveal About Emirati Culture?
  17. J M Coetzee’s ‘Jesus’ Trilogy: A Search for Answers
  18. Against Stereotypical Representations
  19. “The right to narrate”: Gazans contest popular geopolitics with film
  20. Suppressed Nakba memories in Palestinian female narratives
  21. “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
  22. Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks
  23. “Nothing is Left to Tell”
  24. Palestinian Culture and the Nakba: Bearing Witness
  25. Hanthala
  26. Introduction
  27. Nazareth
  28. Mahmoud Darwish
  29. Ghassan Kanafani
  30. Conclusion
  31. Ismael Shammout and Tamam al-Akhal
  32. Coming of Age in Troubled Times
  33. A dialogue beyond the nation-state: Darwish's Mural and Shehadeh's A Rift in Time
  34. HOMO SACER DWELLS IN SARAMAGO'S LAND OF EXCEPTION
  35. Challenging the myth of “a land without a people”: Mahmoud Darwish’s Journal of an Ordinary Grief and In the Presence of Absence
  36. Two memories: Darwish and Shehadeh recount their days under siege
  37. Virtuality and différance in the age of the hyperreal
  38. Demythologizing the Palestinian in Hany Abu-Assad’sOmarandParadise Now
  39. Specters of Doom: Saramago’s Dystopias in Blindness and The Cave
  40. The Politics of Humiliation in the Novels of J.M. Coetzee
  41. Code switching and ramifications on Arab identity from a postcolonial perspective.
  42. “Barbaric Space: Portrayal of Arab Lands in Hollywood Films,”
  43. Arab media female representations
  44. The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect
  45. The abject/the terrorist/the reel Arab – a point of intersection
  46. Becomings in J. M. Coetzee's Waiting for the Barbarians and José Saramago's Blindness
  47. BECOMINGS IN J. M. COETZEE’S WAITING FOR THE BARBARIANS AND JOSÉ SARAMAGO’S BLINDNESS