All Stories

  1. Collective Commemoration in Sites of Ruin Keep the Palestinian Nakba Alive
  2. Inhabiting a Comfortable Fiction of the Self: J.M. Coetzee’s Summertime
  3. The City is Closing in: Raja Shehadeh’s Going Home Searches for a Homeland
  4. What Does a Nascent Film Movement of Popular Genres Reveal About Emirati Culture?
  5. J M Coetzee’s ‘Jesus’ Trilogy: A Search for Answers
  6. Against Stereotypical Representations
  7. “The right to narrate”: Gazans contest popular geopolitics with film
  8. Suppressed Nakba memories in Palestinian female narratives
  9. “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
  10. Against a reading of a sacred landscape: Raja Shehadeh rewrites the Palestinian presence in Palestinian Walks
  11. “Nothing is Left to Tell”
  12. Palestinian Culture and the Nakba: Bearing Witness
  13. Hanthala
  14. Introduction
  15. Nazareth
  16. Mahmoud Darwish
  17. Ghassan Kanafani
  18. Conclusion
  19. Ismael Shammout and Tamam al-Akhal
  20. Coming of Age in Troubled Times
  21. A dialogue beyond the nation-state: Darwish's Mural and Shehadeh's A Rift in Time
  22. HOMO SACER DWELLS IN SARAMAGO'S LAND OF EXCEPTION
  23. Challenging the myth of “a land without a people”: Mahmoud Darwish’s Journal of an Ordinary Grief and In the Presence of Absence
  24. Two memories: Darwish and Shehadeh recount their days under siege
  25. Virtuality and différance in the age of the hyperreal
  26. Demythologizing the Palestinian in Hany Abu-Assad’sOmarandParadise Now
  27. Specters of Doom: Saramago’s Dystopias in Blindness and The Cave
  28. The Politics of Humiliation in the Novels of J.M. Coetzee
  29. Code switching and ramifications on Arab identity from a postcolonial perspective.
  30. “Barbaric Space: Portrayal of Arab Lands in Hollywood Films,”
  31. Arab media female representations
  32. The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect
  33. The abject/the terrorist/the reel Arab – a point of intersection
  34. Becomings in J. M. Coetzee's Waiting for the Barbarians and José Saramago's Blindness
  35. BECOMINGS IN J. M. COETZEE’S WAITING FOR THE BARBARIANS AND JOSÉ SARAMAGO’S BLINDNESS