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  1. Terra Nullius Times Two: Reading d’Agata after Lesueur and Vice Versa

    Article • Australian Journal of French Studies, April 2025, Liverpool University Press

    Dr Greg Hainge

  2. Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies

    Article • Film-Philosophy, February 2025, Edinburgh University Press

    Dr Greg Hainge

  3. To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings, and Mainstream Subversion

    Article • April 2023, Taylor & Francis

    Dr Greg Hainge

  4. Distortion

    Article • January 2022, Bloomsbury Academic

    Dr Greg Hainge

  5. Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form

    Article • French Screen Studies, September 2021, Taylor & Francis

    Dr Greg Hainge

  6. Sound is Silence

    Article • September 2021, Oxford University Press (OUP)

    Dr Greg Hainge

  7. “Un film français et fier de l’être”: Gaspar Noé’s Climax in Context

    Article • Australian Journal of French Studies, April 2021, Liverpool University Press

    Dr Greg Hainge

  8. Blanchot and the Resonant Spaces of Literature, Sound, Art and Thought

    Article • June 2020, Taylor & Francis

    Dr Greg Hainge

  9. Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy

    Article • Culture Theory and Critique, January 2020, Taylor & Francis

    Dr Richard Iveson, Dr Greg Hainge

  10. When is a door not a door? Transmedia to the n th degree in David Lynch’s multiverse

    Article • January 2020, Bloomsbury Academic

    Dr Greg Hainge

  11. Still Loitering

    Article • December 2019, Peter Lang, International Academic Publishers

    Dr Greg Hainge, Professor Murray Pratt

  12. BLANCHOT AND THE RESONANT SPACES OF LITERATURE, SOUND, ART AND THOUGHT

    Article • Angelaki, May 2018, Taylor & Francis

    Dr Greg Hainge

  13. Adapted Voices: Transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.

    Article • French Studies, August 2016, Oxford University Press (OUP)

    Dr Greg Hainge

  14. Art Matters: Philosophy, Art History and Art’s Material Presence

    Article • Culture Theory and Critique, May 2016, Taylor & Francis

    Dr Greg Hainge

  15. L’art (immersif) des bruits

    Article • Corps, January 2016, CAIRN

    Dr Greg Hainge

  16. A Letter of Thanks to a Man of Letters: Mark Millington andCulture, Theory and Critique

    Article • Culture Theory and Critique, September 2015, Taylor & Francis

    Dr Greg Hainge

  17. Cadrage exquis: Reframing Jean-Jacques Beineix’sDiva

    Article • Australian Journal of French Studies, May 2015, Liverpool University Press

    Dr Greg Hainge

  18. Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

    Article • Australian Journal of French Studies, May 2014, Liverpool University Press

    Dr Greg Hainge

  19. The Larrikin as Hero (in French Studies)

    Article • Australian Journal of French Studies, May 2014, Liverpool University Press

    Dr Greg Hainge

  20. Japanoise: Music at the Edge of Circulation

    Article • Asian Studies Review, April 2014, Taylor & Francis

    Dr Greg Hainge

  21. Wright, Alexa,Monstrosity: The Human Monster in Visual Culture, I.B. Tauris, London, 2013. ISBN: 978-1-78076-336-1, 224 pp., US$29.00.

    Article • Somatechnics, March 2014, Edinburgh University Press

    Dr Greg Hainge

  22. Ana Maria Alves, Guerre et exil chez Louis-Ferdinand Céline, Peter Lang, 2013. 414 pp., €86.50, ISBN 978-3-03-43-1297-4

    Article • Modern & Contemporary France, January 2014, Taylor & Francis

    Dr Greg Hainge

  23. Editorial

    Article • Studies in French Cinema, January 2014, Taylor & Francis

    Dr Greg Hainge

  24. Noise Matters

    Article • January 2013, Bloomsbury Academic

    Dr Greg Hainge

  25. Metacritique in the Eighth Circle of Hell

    Article • symplokē, January 2013, Project Muse

    Dr Greg Hainge

  26. Film spectatorship and the anatomical body.

    Article • Somatechnics, September 2012, Edinburgh University Press

    Dr Greg Hainge

  27. A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van'sDans ma peau

    Article • Continuum, July 2012, Taylor & Francis

    Dr Greg Hainge

  28. Formulating God: The Ongoing Place of Theology in the Philosophy of Gilles Deleuze

    Article • Culture Theory and Critique, November 2011, Taylor & Francis

    Dr Greg Hainge

  29. Larry Schehr

    Article • Australian Journal of French Studies, September 2011, Liverpool University Press

    Dr Joseph B Hardwick, Dr Greg Hainge, Professor Murray Pratt

  30. Tekhnè, Technique, Technologie

    Article • Australian Journal of French Studies, May 2011, Liverpool University Press

    Dr Greg Hainge

  31. Airport music: Muzak, ‘Non-lieux’ and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel

    Article • Studies in French Cinema, September 2009, Intellect

    Dr Greg Hainge

  32. Unfixing the photographic image: Photography, indexicality, fidelity and normativity

    Article • Continuum, October 2008, Taylor & Francis

    Dr Greg Hainge

  33. Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

    Article • Australian Journal of French Studies, September 2008, Liverpool University Press

    Dr Greg Hainge

  34. A TALE OF (at least) TWO HIROSHIMAS: NOBUHIRO SUWA'SH STORY AND ALAIN RESNAIS'SHIROSHIMA MON AMOUR

    Article • Contemporary French Civilization, July 2008, Liverpool University Press

    Dr Greg Hainge

  35. The Architect's Scalpel: The Monstrous Digital Futures of Alexa Wright'sPrecious

    Article • Social Semiotics, September 2007, Taylor & Francis

    Dr Greg Hainge

  36. Le Corps concret: Of Bodily and Filmic Material Excess in Philippe Grandrieux's Cinema

    Article • Australian Journal of French Studies, May 2007, Liverpool University Press

    Dr Greg Hainge

  37. Of Glitch and Men: The Place of the Human in the Successful Integration of Failure and Noise in the Digital Realm

    Article • Communication Theory, February 2007, Oxford University Press (OUP)

    Dr Greg Hainge

  38. Tempest in Another Time: Shakespeare, Greenaway, Céline

    Article • Romanic Review, January 2006, Duke University Press

    Dr Greg Hainge

  39. No(i)stalgia: On the impossibility of recognising noise in the present

    Article • Culture Theory and Critique, September 2005, Taylor & Francis

    Dr Greg Hainge

  40. The Language of Suffering: The Place of Pain in Louis-Ferdinand Céline's Féerie pour une autre fois I

    Article • L Esprit Créateur, January 2005, Project Muse

    Dr Greg Hainge

  41. Chapter 2 Is Pop Music?

    Article • July 2004, De Gruyter

    Dr Greg Hainge

  42. A Whisper or a Scream? Experimental music sounds a warning for the future of theory

    Article • Continuum, November 2002, Taylor & Francis

    Dr Greg Hainge

  43. Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López

    Article • Culture Theory and Critique, August 2002, Taylor & Francis

    Dr Greg Hainge

  44. Celine: d'un bout a l'autre. By Jean-Louis Cornille. (Collection Monographique Rodopi en Litterature Francaise Contemporaine, 33). Amsterdam, Rodopi, 1999. 112 pp.

    Article • French Studies, October 2001, Oxford University Press (OUP)

    Dr Greg Hainge

  45. Impossible Narratives: Colonial Spaces of Dissolution in Voyage au bout de la nuit and To Have and to Hold

    Article • Australian Journal of French Studies, May 2001, Liverpool University Press

    Dr Greg Hainge

  46. Introduction

    Article • Renaissance and Modern Studies, January 1999, Taylor & Francis

    Dr Greg Hainge