All Stories

  1. Terra Nullius Times Two: Reading d’Agata after Lesueur and Vice Versa
  2. Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies
  3. To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings, and Mainstream Subversion
  4. Distortion
  5. Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form
  6. Sound is Silence
  7. Blanchot and the Resonant Spaces of Literature, Sound, Art and Thought
  8. Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy
  9. When is a door not a door? Transmedia to the n th degree in David Lynch’s multiverse
  10. Still Loitering
  11. BLANCHOT AND THE RESONANT SPACES OF LITERATURE, SOUND, ART AND THOUGHT
  12. Adapted Voices: Transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.
  13. Art Matters: Philosophy, Art History and Art’s Material Presence
  14. L’art (immersif) des bruits
  15. A Letter of Thanks to a Man of Letters: Mark Millington andCulture, Theory and Critique
  16. Cadrage exquis: Reframing Jean-Jacques Beineix’sDiva
  17. Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
  18. The Larrikin as Hero (in French Studies)
  19. Japanoise: Music at the Edge of Circulation
  20. Wright, Alexa,Monstrosity: The Human Monster in Visual Culture, I.B. Tauris, London, 2013. ISBN: 978-1-78076-336-1, 224 pp., US$29.00.
  21. Ana Maria Alves, Guerre et exil chez Louis-Ferdinand Céline, Peter Lang, 2013. 414 pp., €86.50, ISBN 978-3-03-43-1297-4
  22. Editorial
  23. Noise Matters
  24. Metacritique in the Eighth Circle of Hell
  25. Film spectatorship and the anatomical body.
  26. A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van'sDans ma peau
  27. Formulating God: The Ongoing Place of Theology in the Philosophy of Gilles Deleuze
  28. Larry Schehr
  29. Tekhnè, Technique, Technologie
  30. Airport music: Muzak, ‘Non-lieux’ and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel
  31. Unfixing the photographic image: Photography, indexicality, fidelity and normativity
  32. Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
  33. A TALE OF (at least) TWO HIROSHIMAS: NOBUHIRO SUWA'SH STORY AND ALAIN RESNAIS'SHIROSHIMA MON AMOUR
  34. The Architect's Scalpel: The Monstrous Digital Futures of Alexa Wright'sPrecious
  35. Le Corps concret: Of Bodily and Filmic Material Excess in Philippe Grandrieux's Cinema
  36. Of Glitch and Men: The Place of the Human in the Successful Integration of Failure and Noise in the Digital Realm
  37. Tempest in Another Time: Shakespeare, Greenaway, Céline
  38. No(i)stalgia: On the impossibility of recognising noise in the present
  39. The Language of Suffering: The Place of Pain in Louis-Ferdinand Céline's Féerie pour une autre fois I
  40. Chapter 2 Is Pop Music?
  41. A Whisper or a Scream? Experimental music sounds a warning for the future of theory
  42. Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López
  43. Celine: d'un bout a l'autre. By Jean-Louis Cornille. (Collection Monographique Rodopi en Litterature Francaise Contemporaine, 33). Amsterdam, Rodopi, 1999. 112 pp.
  44. Impossible Narratives: Colonial Spaces of Dissolution in Voyage au bout de la nuit and To Have and to Hold
  45. Introduction