All Stories

  1. To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings, and Mainstream Subversion
  2. Distortion
  3. Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form
  4. Sound is Silence
  5. Blanchot and the Resonant Spaces of Literature, Sound, Art and Thought
  6. Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy
  7. When is a door not a door? Transmedia to the n th degree in David Lynch’s multiverse
  8. Still Loitering
  9. BLANCHOT AND THE RESONANT SPACES OF LITERATURE, SOUND, ART AND THOUGHT
  10. Adapted Voices: Transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.
  11. Art Matters: Philosophy, Art History and Art’s Material Presence
  12. L’art (immersif) des bruits
  13. A Letter of Thanks to a Man of Letters: Mark Millington andCulture, Theory and Critique
  14. Cadrage exquis: Reframing Jean-Jacques Beineix’sDiva
  15. Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
  16. The Larrikin as Hero (in French Studies)
  17. Japanoise: Music at the Edge of Circulation
  18. Wright, Alexa,Monstrosity: The Human Monster in Visual Culture, I.B. Tauris, London, 2013. ISBN: 978-1-78076-336-1, 224 pp., US$29.00.
  19. Ana Maria Alves, Guerre et exil chez Louis-Ferdinand Céline, Peter Lang, 2013. 414 pp., €86.50, ISBN 978-3-03-43-1297-4
  20. Editorial
  21. Noise Matters
  22. Metacritique in the Eighth Circle of Hell
  23. Film spectatorship and the anatomical body.
  24. A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van'sDans ma peau
  25. Formulating God: The Ongoing Place of Theology in the Philosophy of Gilles Deleuze
  26. Larry Schehr
  27. Tekhnè, Technique, Technologie
  28. Airport music: Muzak, ‘Non-lieux’ and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel
  29. Unfixing the photographic image: Photography, indexicality, fidelity and normativity
  30. Three Non-Places of Supermodernity in the History of French Cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
  31. A TALE OF (at least) TWO HIROSHIMAS: NOBUHIRO SUWA'SH STORY AND ALAIN RESNAIS'SHIROSHIMA MON AMOUR
  32. The Architect's Scalpel: The Monstrous Digital Futures of Alexa Wright'sPrecious
  33. Le Corps concret: Of Bodily and Filmic Material Excess in Philippe Grandrieux's Cinema
  34. Of Glitch and Men: The Place of the Human in the Successful Integration of Failure and Noise in the Digital Realm
  35. Tempest in Another Time: Shakespeare, Greenaway, Céline
  36. No(i)stalgia: On the impossibility of recognising noise in the present
  37. The Language of Suffering: The Place of Pain in Louis-Ferdinand Céline's Féerie pour une autre fois I
  38. Chapter 2 Is Pop Music?
  39. A Whisper or a Scream? Experimental music sounds a warning for the future of theory
  40. Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López
  41. Celine: d'un bout a l'autre. By Jean-Louis Cornille. (Collection Monographique Rodopi en Litterature Francaise Contemporaine, 33). Amsterdam, Rodopi, 1999. 112 pp.
  42. Impossible Narratives: Colonial Spaces of Dissolution in Voyage au bout de la nuit and To Have and to Hold
  43. Introduction