All Stories

  1. Actors, Audiences, and Emotions in the Eighteenth Century
  2. Introduction
  3. Playing to Type
  4. Scaffolded learning: a model of historically informed performance practice and action research in Rehearsing Shakespeare
  5. Emotion and Convention in Eighteenth-Century Tragic Acting
  6. King/Cate: Stardom, Aura, and the Stage Figure in the Sydney Theatre Company's Production of Richard II
  7. The Picturesque World Stage