All Stories

  1. Stanislavsky and Yoga
  2. Training and … Image/Imagination
  3. Introduction to ‘Rehearsal Protocols forHamletby William Shakespeare’
  4. Rehearsal protocols forHamletby William Shakespeare at the Second Moscow Art Theatre
  5. Lenard Petit The Michael Chekhov Handbook: for the ActorLondon; New York: Routledge, 2010. 182 p. £16.99. ISBN: 978-0415496728.
  6. Tainted by Association
  7. Playing with Post-Secular Performance
  8. Editorial: The practice of Performance Studies in the United Kingdom
  9. Interrogating boundaries/respecting differences? The role of theatre within Performance Studies
  10. Michael Chekhov
  11. Creative Surges in Ipswich
  12. Presenting the Unrepresentable: Maeterlinck'sL'Intruseand the Symbolist Drama1
  13. “Moving into performance”: European Mime and physical workshop symposium incorporating the third European Mime federation congress held at Manchester Metropolitan University; (Didsbury Campus) Friday 16th‐Sunday 18th September 1994
  14. Editorial
  15. Fragments of a Dixi Training
  16. Malveena McKendrick Theatre in Spain, 1490–1700Cambridge: Cambridge University Press, 1989, 330 p. £30. ISBN 0-521-35592-3.
  17. Susan Harris Smith Masks in Modern DramaUniversity of California Press, 1984. 237 p. ISBN 0-520-05095-9.
  18. Stephen Aaron Stage Fright: Its Role in ActingChicago: University of Chicago Press, 1986. £13.95. ISBN 0-226-00018-4.