All Stories

  1. PiJAMA: Piano Jazz with Automatic MIDI Annotations
  2. Few-shot Class-incremental Audio Classification Using Dynamically Expanded Classifier with Self-attention Modified Prototypes
  3. Exploring Transformer’s Potential on Automatic Piano Transcription
  4. Improving Lyrics Alignment Through Joint Pitch Detection
  5. Learning Music Audio Representations Via Weak Language Supervision
  6. Automatic Quality Assessment of Digitized and Restored Sound Archives
  7. Measuring national mood with music: using machine learning to construct a measure of national valence from audio data
  8. Adaptive Scattering Transforms for Playing Technique Recognition
  9. Comparison of Feature Extraction Methods for Sound-Based Classification of Honey Bee Activity
  10. Detecting Cover Songs with Pitch Class Key-Invariant Networks
  11. Humanities and engineering perspectives on music transcription
  12. An Evaluation of Data Augmentation Methods for Sound Scene Geotagging
  13. Vocal Harmony Separation Using Time-Domain Neural Networks
  14. Violinist identification based on vibrato features
  15. MusCaps: Generating Captions for Music Audio
  16. Revisiting the Onsets and Frames Model with Additive Attention
  17. More for Less: Non-Intrusive Speech Quality Assessment with Limited Annotations
  18. Joint Multi-Pitch Detection and Score Transcription for Polyphonic Piano Music
  19. Prototypical Networks for Domain Adaptation in Acoustic Scene Classification
  20. The Effect of Spectrogram Reconstruction on Automatic Music Transcription: An Alternative Approach to Improve Transcription Accuracy
  21. Adversarial Unsupervised Domain Adaptation for Harmonic-Percussive Source Separation
  22. Development of a Speech Quality Database Under Uncontrolled Conditions
  23. Memory Controlled Sequential Self Attention for Sound Recognition
  24. Deep generative variational autoencoding for replay spoof detection in automatic speaker verification
  25. Reliable Local Explanations for Machine Listening
  26. A Study on the Transferability of Adversarial Attacks in Sound Event Classification
  27. A-CRNN: A Domain Adaptation Model for Sound Event Detection
  28. Audio Impairment Recognition using a Correlation-Based Feature Representation
  29. Modeling Plate and Spring Reverberation Using A DSP-Informed Deep Neural Network
  30. Playing Technique Recognition by Joint Time–Frequency Scattering
  31. Deep Learning for Black-Box Modeling of Audio Effects
  32. Learning and Evaluation Methodologies for Polyphonic Music Sequence Prediction With LSTMs
  33. Dataset Artefacts in Anti-Spoofing Systems: A Case Study on the ASVspoof 2017 Benchmark
  34. City Classification from Multiple Real-World Sound Scenes
  35. Investigating Kernel Shapes and Skip Connections for Deep Learning-Based Harmonic-Percussive Separation
  36. Polyphonic Sound Event and Sound Activity Detection: A Multi-Task Approach
  37. Ensemble Models for Spoofing Detection in Automatic Speaker Verification
  38. Towards Joint Sound Scene and Polyphonic Sound Event Recognition
  39. Adaptive Noise Reduction for Sound Event Detection Using Subband-Weighted NMF
  40. Optimal neural network feature selection for spatial-temporal forecasting
  41. Adapting the Quality of Experience Framework for Audio Archive Evaluation
  42. Audio-based Identification of Beehive States
  43. Automatic Transcription of Diatonic Harmonica Recordings
  44. SubSpectralNet – Using Sub-spectrogram Based Convolutional Neural Networks for Acoustic Scene Classification
  45. Automatic Music Transcription: An Overview
  46. Analysing The Predictions Of a CNN-Based Replay Spoofing Detection System
  47. ANALYSING REPLAY SPOOFING COUNTERMEASURE PERFORMANCE UNDER VARIED CONDITIONS
  48. Polyphonic Music Sequence Transduction with Meter-Constrained LSTM Networks
  49. Towards Complete Polyphonic Music Transcription: Integrating Multi-Pitch Detection and Rhythm Quantization
  50. A supervised classification approach for note tracking in polyphonic piano transcription
  51. Detection and Classification of Acoustic Scenes and Events: Outcome of the DCASE 2016 Challenge
  52. A review of manual and computational approaches for the study of world music corpora
  53. A computational study on outliers in world music
  54. Automatic Transcription of Polyphonic Vocal Music
  55. Sound event detection in synthetic audio: Analysis of the dcase 2016 task results
  56. Approaches to Complex Sound Scene Analysis
  57. Polyphonic Sound Event Tracking Using Linear Dynamical Systems
  58. On-Bird Sound Recordings: Automatic Acoustic Recognition of Activities and Contexts
  59. On the memory properties of recurrent neural models
  60. The Digital Music Lab
  61. A Morphological Model for Simulating Acoustic Scenes and Its Application to Sound Event Detection
  62. Speaker recognition with hybrid features from a deep belief network
  63. Digital music lab: A framework for analysing big music data
  64. An End-to-End Neural Network for Polyphonic Piano Music Transcription
  65. Detection of overlapping acoustic events using a temporally-constrained probabilistic model
  66. Automatic transcription of Turkish microtonal music
  67. Detection and Classification of Acoustic Scenes and Events
  68. Alternate level clustering for drum transcription
  69. The temperament police
  70. Incremental Dataset Definition for Large Scale Musicological Research
  71. Improving instrument recognition in polyphonic music through system integration
  72. Big Data for Musicology
  73. Detection and classification of acoustic scenes and events: An IEEE AASP challenge
  74. Automatic music transcription: challenges and future directions
  75. Multiple-instrument polyphonic music transcription using a temporally constrained shift-invariant model
  76. A temporally-constrained convolutive probabilistic model for pitch detection
  77. Joint Multi-Pitch Detection Using Harmonic Envelope Estimation for Polyphonic Music Transcription
  78. Improving Music Genre Classification Using Automatically Induced Harmony Rules
  79. Auditory Spectrum-Based Pitched Instrument Onset Detection
  80. Non-Negative Tensor Factorization Applied to Music Genre Classification
  81. Computationally Efficient and Robust BIC-Based Speaker Segmentation
  82. A neural network approach to audio-assisted movie dialogue detection
  83. Systematic comparison of BIC-based speaker segmentation systems
  84. Applying Supervised Classifiers Based on Non-negative Matrix Factorization to Musical Instrument Classification
  85. Automatic Speaker Segmentation using Multiple Features and Distance Measures: A Comparison of Three Approaches