All Stories

  1. The Stone Surface Cleaning According to Criteria of Effectiveness and Controllability: The Procuratie Nuove Case of Study (Venice)
  2. Tiles from Aosta: A Peculiar Glaze Roof Covering
  3. Proposal of New Natural Hydraulic Lime-Based Mortars for the Conservation of Historical Buildings
  4. Urban Scale Monitoring Approach for the Assessment of Rising Damp Effects in Venice
  5. Evaluating the Impacts of Alcohol-Based Solutions on Silk: Chemical, Mechanical and Wettability Changes before and after Artificial Ageing
  6. Non-Invasive-Monitoring Methodology for the Evaluation of Environmental Impacts on Istrian Stone Surfaces in Venice
  7. Non-Vascular Ceramic Sherds Coming from Two Italian Etruscan Settlements: Peculiarities and Interpretation of Their Possible Use
  8. How Can Ozone and Relative Humidity Affect Artists’ Alkyd Paints? A FT-IR and Py-GC/MS Systematic Study
  9. Rethinking and evaluating the role of historical buildings in the preservation of fragile artworks: the case study of the Gallerie dell’Accademia in Venice
  10. High Temperatures Impact on the Durability of Natural Stones: An Assessment by Means of Ultrasound Pulse Velocity Measurements
  11. Reflectance Spectroscopy as a Non-invasive Technique for Preliminary Characterization of Soluble Salts on Historical Masonries
  12. Stone sustainable protection and preservation using a zein-based hydrophobic coating
  13. A preliminary evaluation of chemical interaction between sanitizing products and silk
  14. A Critical Review on the Analysis of Metal Soaps in Oil Paintings
  15. Antioxidant and hydrophobic Cotton fabric resisting accelerated ageing
  16. Accelerated Ageing Procedures to Assess the Stability of an Unconventional Acrylic-Wax Polymeric Emulsion for Contemporary Art
  17. A new methodology to characterize indoor variations of temperature and relative humidity in historical museum buildings for conservation purposes
  18. Scanning in Diagnostics and Novel Solutions for the Protection of Built Heritage
  19. Hydrophobic treatment of woven cotton fabrics with polyurethane modified aminosilicone emulsions
  20. Comparison between mercury intrusion porosimetry and nuclear magnetic resonance relaxometry to study the pore size distribution of limestones treated with a new consolidation product
  21. In-situ technical study of modern paintings - Part 2: Imaging and spectroscopic analysis of zinc white in paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)
  22. In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)
  23. Investigation on the relationship between the environment and istria stone surfaces in Venice
  24. Interaction between Copper Oxide Nanoparticles and Amino Acids: Influence on the Antibacterial Activity
  25. Scanning Microscopy Techniques as an Assessment Tool of Materials and Interventions for the Protection of Built Cultural Heritage
  26. Calcium Ethoxide as Consolidant for Porous Limestones: Influence of the Solvent
  27. An insight into the mechanical properties of selected commercial oil and alkyd paint films containing cobalt blue
  28. Il cantiere della Niobe a Ca’ Giustinian dei Vescovi
  29. Il futuro della memoria
  30. Evaluation of the volatile organic compound emissions in modern and naturally aged Japanese paper
  31. Incorporation of the zosteric sodium salt in silica nanocapsules: synthesis and characterization of new fillers for antifouling coatings
  32. Printing materials and technologies in the 15th–17th century book production: An undervalued research field
  33. La conservazione preventiva del patrimonio librario come possibile alternativa al restauro tradizionale
  34. Study of Calcium Ethoxide as a New Product for Conservation of Historical Limestone
  35. Rising damp in historical buildings: A Venetian perspective
  36. Optimization of sustainable, NaCl-resistant and water-repellent renders through evolutionary experimental design
  37. A review of common NDTs in the monitoring and preservation of historical architectural surfaces
  38. The behaviour of water-repellent mortars with regards to salt crystallization: from mortar specimens to masonry/render systems
  39. A multi-spectroscopic study for the characterization and definition of production techniques of German ceramic sherds
  40. Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments
  41. NDTs in the monitoring and preservation of historical architectural surfaces
  42. Multi-analytical non-invasive study of modern yellow paints from postwar Italian paintings from the International Gallery of Modern Art Cà Pesaro, Venice
  43. The influence of water-repellent admixtures on the behaviour and the effectiveness of Portland limestone cement mortars
  44. Statistical analysis of the physical properties and durability of water-repellent mortars made with limestone cement, natural hydraulic lime and pozzolana-lime
  45. 20th century artists’ oil paints: The case of the Olii by Lucio Fontana
  46. The use of waterborne paints in contemporary murals: Comparing the stability of vinyl, acrylic and styrene-acrylic formulations to outdoor weathering conditions
  47. Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies
  48. Influence and effectiveness of water-repellent admixtures on pozzolana–lime mortars for restoration application
  49. New 3,6-bis(biphenyl)diketopyrrolopyrrole dyes and pigments via Suzuki–Miyaura coupling
  50. The study of pitch via gas chromatography–mass spectrometry and Fourier-transformed infrared spectroscopy: the case of the Roman amphoras from Monte Poro, Calabria (Italy)
  51. Stucco Forte in Venice between the 16th and 17th Centuries: The Case Study of Addolorata Chapel Stuccoes in San Pantalon's Church
  52. Deposition in St. Mark's Basilica of Venice
  53. The Choise of Parameters for the Monitoring and the Maintenance of Architectural Stone Surfaces
  54. Optical techniques for the characterization of surface-subsurface defects in painted layers
  55. TG–DSC analysis applied to contemporary oil paints
  56. Quantitative determination of un-derivatised amino acids in artistic mural paintings using high-performance liquid chromatography/electrospray ionization triple quadrupole mass spectrometry
  57. Characterization and reactivity of silicatic consolidants
  58. Composition and technology of historical stuccoes coming from Grimani Palace in Venice (Italy)
  59. Analytical methods for the characterization of surface finishing in bricks
  60. Interaction between clay and lime in “cocciopesto” mortars: a study by 29Si MAS spectroscopy
  61. Advanced Byzantine cement based composites resisting earthquake stresses: the crushed brick/lime mortars of Justinian's Hagia Sophia
  62. Characterization of binders employed in the manufacture of Venetian historical mortars
  63. Effects of condensed water on limestone surfaces in a marine environment
  64. Hot lime technology imparting high strength to historic mortars
  65. Characterization of the lumps in the mortars of historic masonry
  66. Thermoanalytical research on traditional mortars in venice
  67. The effect of sea tides on historical brickwork in Venice
  68. Cleaning with Laser Radiation on Istria Stone
  69. Siliconic and Acrylic Resins Dispersed in Water as Protectives for Stone Surface