All Stories

  1. Editors' Introduction
  2. Editors' Introduction
  3. Editors' Introduction
  4. Editors' Introduction
  5. The Labor of Academic Journals: Or, Is Anyone Going to Read This?
  6. Editors' Introduction
  7. And So …
  8. Editorial: On mundane performance
  9. Entering / 01
  10. Entering / 02
  11. Entering / 03
  12. Entering / 04
  13. Everywhere, All the Time, 3:42
  14. Maintenance and Care / 01
  15. Maintenance and Care / 02
  16. Maintenance and Care / 03
  17. Maintenance and Care / 04
  18. Maintenance and Care / 05
  19. Maintenance and Care / 07
  20. Maintenance and Care /06
  21. Presence / 01
  22. Presence / 02
  23. Presence / 03
  24. Presence / 04
  25. Presence / 05
  26. Presence / 06
  27. Presence / 07
  28. Presence / 08
  29. Presence / 09
  30. Presence / 09
  31. Presence / 10
  32. Presence / 11
  33. Presence / 12
  34. Presence / 13
  35. Presence / 14
  36. Ritualized / 01
  37. Ritualized / 02
  38. Ritualized / 03
  39. Ritualized / 04
  40. Ritualized / 05
  41. Ritualized / 07
  42. Ritualized / 08
  43. Ritualized / 10
  44. Ritualized / 11
  45. Waiting / 01
  46. Waiting / 02
  47. Waiting / 03
  48. Waiting / 05
  49. Editors' Introduction
  50. Editors' Introduction
  51. Editors' Introduction: Materializing Immaterial Labor in Cultural Studies
  52. Editors' Introduction
  53. Cultural Studies in the Interregnum
  54. Editors' Introduction
  55. Between antagonism and eros: the feud as couple form and Netflix’s GLOW
  56. The planet, everyday: towards collaborative performance studies
  57. Marvel Universe Live
  58. Orientations: Where is the Future Now?
  59. The integrated spectator: theatre audiences and pedagogy
  60. Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
  61. Editors' Introduction
  62. Annotating Vegas: Mapping Performance Interventions at ATHE 2017
  63. Dramatic Theory?
  64. Syllabi for the Future: A Playlist
  65. Editors’ Introduction: Cultural Studies and Intersectionality as Intellectual Practice
  66. Thicker States
  67. Performance and Professional Wrestling
  68. Editors’ Introduction: Disciplinary Stakes For Cultural Studies Today
  69. Editors’ Introduction
  70. Audience Affirmation and the Labour of Professional Wrestling
  71. “Let Our Freak Flags Fly”: Shrek the Musical and the Branding of Diversity