All Stories

  1. Editors' Introduction
  2. Editors' Introduction
  3. Editors' Introduction
  4. On Ghosts Editorial
  5. Editors' Introduction
  6. Editors' Introduction
  7. The Labor of Academic Journals: Or, Is Anyone Going to Read This?
  8. Editors' Introduction
  9. And So …
  10. Editorial: On mundane performance
  11. Entering / 01
  12. Entering / 02
  13. Entering / 03
  14. Entering / 04
  15. Everywhere, All the Time, 3:42
  16. Maintenance and Care / 01
  17. Maintenance and Care / 02
  18. Maintenance and Care / 03
  19. Maintenance and Care / 04
  20. Maintenance and Care / 05
  21. Maintenance and Care / 07
  22. Maintenance and Care /06
  23. Presence / 01
  24. Presence / 02
  25. Presence / 03
  26. Presence / 04
  27. Presence / 05
  28. Presence / 06
  29. Presence / 07
  30. Presence / 08
  31. Presence / 09
  32. Presence / 09
  33. Presence / 10
  34. Presence / 11
  35. Presence / 12
  36. Presence / 13
  37. Presence / 14
  38. Ritualized / 01
  39. Ritualized / 02
  40. Ritualized / 03
  41. Ritualized / 04
  42. Ritualized / 05
  43. Ritualized / 07
  44. Ritualized / 08
  45. Ritualized / 10
  46. Ritualized / 11
  47. Waiting / 01
  48. Waiting / 02
  49. Waiting / 03
  50. Waiting / 05
  51. Editors' Introduction
  52. Editors' Introduction
  53. Editors' Introduction: Materializing Immaterial Labor in Cultural Studies
  54. Editors' Introduction
  55. Cultural Studies in the Interregnum
  56. Editors' Introduction
  57. Between antagonism and eros: the feud as couple form and Netflix’s GLOW
  58. The planet, everyday: towards collaborative performance studies
  59. Marvel Universe Live
  60. Orientations: Where is the Future Now?
  61. The integrated spectator: theatre audiences and pedagogy
  62. Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
  63. Editors' Introduction
  64. Annotating Vegas: Mapping Performance Interventions at ATHE 2017
  65. Dramatic Theory?
  66. Syllabi for the Future: A Playlist
  67. Editors’ Introduction: Cultural Studies and Intersectionality as Intellectual Practice
  68. Thicker States
  69. Performance and Professional Wrestling
  70. Editors’ Introduction: Disciplinary Stakes For Cultural Studies Today
  71. Editors’ Introduction
  72. Audience Affirmation and the Labour of Professional Wrestling
  73. “Let Our Freak Flags Fly”: Shrek the Musical and the Branding of Diversity