All Stories

  1. Race and world memory in Arrival
  2. Third-culture Huàllywood: or, ‘Chimerica’ the cinematic return
  3. The analogue strikes back: Star Wars, star authenticity, and cinematic anachronism
  4. Selling (un)real estate with “Shi(势)-nema”: manipulation, not persuasion, in China’s contemporary cinematic-cities
  5. Through a (First) Contact Lens Darkly: Arrival, Unreal Time and Chthulucinema