All Stories

  1. La « conquête américaine » de l’espace vide du métavers

    Article • Théâtre/Public, June 2025, CAIRN

    Cyrielle GARSON

  2. Ferryman Collective in Conversation with Cyrielle Garson

    Article • Journal of Contemporary Drama in English, April 2025, De Gruyter

    Cyrielle GARSON

  3. The New Wave of British Women Playwrights: 2008–2021. Elisabeth Angel-Perez and Aloysia Rousseau (ed.). Berlin: De Gruyter, 2023, 292 p.

    Article • Caliban, January 2025, OpenEdition

    Cyrielle GARSON

  4. New Community Design to the Rescue: The Promises and Pitfalls of Post-Pandemic VR Theatre in North America

    Article • Journal of Contemporary Drama in English, September 2024, De Gruyter

    Cyrielle GARSON

  5. Les nouvelles modalités d’un continuum entre réel et virtuel sur la scène anglophone

    Article • May 2024, Editions des archives contemporaines

    Cyrielle GARSON

  6. Place-Making, Identities, and the Politics of Urban Life: Theatre and the City. An Introduction

    Article • Journal of Contemporary Drama in English, May 2023, De Gruyter

    Cyrielle GARSON

  7. The Severance Theory: Welcome to Respite (2021) by CoAct Productions and Ferryman Collective

    Article • Miranda, April 2022, OpenEdition

    Cyrielle GARSON

  8. Remediating the real

    Article • April 2022, Manchester University Press

    Cyrielle GARSON

  9. Conversation

    Article • January 2022, OpenEdition

    Cyrielle GARSON

  10. Beyond Documentary Realism

    Article • February 2021, De Gruyter

    Cyrielle GARSON

  11. Marissia Fragkou, Ecologies of Precarity in Twenty-First Century Theatre: Politics, Affect, Responsibility

    Article • Modern Drama, March 2020, University of Toronto Press (UTPress)

    Cyrielle GARSON

  12. Mary F. Brewer, Lynette Goddard, and Deirdre Osborne, eds. Modern and Contemporary Black British Drama. Basingstoke: Palgrave Macmillan, 2015, xii + 252 pp., $110 (hardback), $37 (paperback), $34 (PDF ebook). Lynette Goddard. Contemporary Black British...

    Article • Journal of Contemporary Drama in English, November 2018, De Gruyter

    Cyrielle GARSON

  13. « They tell you it’s authentic but it’s not »1 : Pour une approche « reconstructionniste » du théâtre verbatim contemporain en Grande-Bretagne

    Article • Études britanniques contemporaines, June 2018, OpenEdition

    Cyrielle GARSON

  14. Does Verbatim Theatre Still Talk the Nation Talk?

    Article • Journal of Contemporary Drama in English, April 2018, De Gruyter

    Cyrielle GARSON

  15. ‘What a Carve up!’ The Eclectic Aesthetics of Postmodernism and the Politics of Diversity in some Examples of Contemporary British Verbatim Theatre

    Article • Études britanniques contemporaines, October 2015, OpenEdition

    Cyrielle GARSON

  16. Verbatim Theatre and New Writing in Britain: A State of ‘Kindred Strangers’?

    Article • Études britanniques contemporaines, March 2015, OpenEdition

    Cyrielle GARSON

  17. Cantrell Tom Acting in Documentary Theatre Basingstoke: Palgrave Macmillan, 2013. 208 p. £55.00. ISBN: 978-1-137-01972-1.

    Article • New Theatre Quarterly, May 2014, Cambridge University Press

    Cyrielle GARSON

  18. Remixing Politics: The Case of Headphone-Verbatim Theatre in Britain

    Article • Journal of Contemporary Drama in English, January 2014, De Gruyter

    Cyrielle GARSON

  19. Eliane Beaufils, ed. Quand la Scène Fait Appel...Le Théâtre Contemporain et le Poétique. Paris: L’Harmattan, 2014, 290 pp., € 34.00.

    Article • Journal of Contemporary Drama in English, January 2014, De Gruyter

    Cyrielle GARSON