All Stories

  1. An Episodic Plot and an Unhappy Ending
  2. What Can a String of Letters Possibly Mean When it is Not a Word? Speech Sounds as One Answer to the Search for Meaning in Finnegans Wake
  3. The Emotion and Imagery Characterizing the Vocabularies of Special Englishes Designed for Later Language Learners
  4. “That chair work thing was great”: a pilot study of group-based emotion-focused therapy for anxiety and depression
  5. The Expressive Force of Primitive Masculine Sounds in Schwitters’ Sonata/Poem Ursonate
  6. TITLES IN HIGHLY RANKED MULTIDISCIPLINARY PSYCHOLOGY JOURNALS 1966–2011: MORE WORDS AND PUNCTUATION MARKS ALLOW FOR THE COMMUNICATION OF MORE INFORMATION1
  7. The Search for Cognitive Terminology: An Analysis of Comparative Psychology Journal Titles
  8. The Emotionality and Complexity of Public Political Language in Canada’s Question Period
  9. THE TREND TOWARD MORE ATTRACTIVE AND INFORMATIVE TITLES:AMERICAN PSYCHOLOGIST1946–20101
  10. Could We Have Seen It Coming? And Should We Watch for It?
  11. Emotional Consistency as Evidence of Dynamic Equivalence among English Translations of the Bible
  12. Sound and Emotion in Milton's Paradise Lost
  13. EXPLAINING INCONSISTENCIES IN SHAKESPEARE'S CHARACTER HENRY V ON THE BASIS OF THE EMOTIONAL UNDERTONES OF HIS SPEECHES1
  14. CHALLENGING AN AUTHORIAL ATTRIBUTION: VOCABULARY AND EMOTION IN A TRANSLATION OF GOETHE'SFAUSTATTRIBUTED TO SAMUEL TAYLOR COLERIDGE1,2
  15. POET INTERRUPTED: DIFFERENCES IN THE EMOTIONALITY AND IMAGERY OF BYRON'S POETRY ASSOCIATED WITH HIS TURBULENT MID-CAREER YEARS IN ENGLAND1,2
  16. POET INTERRUPTED: DIFFERENCES IN THE EMOTIONALITY AND IMAGERY OF BYRON'S POETRY ASSOCIATED WITH HIS TURBULENT MID-CAREER YEARS IN ENGLAND1,2
  17. EMOTION AND THE HUMORS: SCORING AND CLASSIFYING MAJOR CHARACTERS FROM SHAKESPEARE'S COMEDIES ON THE BASIS OF THEIR LANGUAGE1
  18. Leading with words? Emotion and style in the language of U.S. President Clinton's public communications
  19. USING THE REVISED DICTIONARY OF AFFECT IN LANGUAGE TO QUANTIFY THE EMOTIONAL UNDERTONES OF SAMPLES OF NATURAL LANGUAGE1,2
  20. Clustering web queries
  21. EMOTIONAL FLUCTUATIONS IN BOB DYLAN'S LYRICS MEASURED BY THE DICTIONARY OF AFFECT ACCOMPANY EVENTS AND PHASES IN HIS LIFE1
  22. A COMPARISON OF TWO LISTS PROVIDING EMOTIONAL NORMS FOR ENGLISH WORDS (ANEW AND THE DAL)1
  23. THE DISTINCT EMOTIONAL FLAVOR OF GNOSTIC WRITINGS FROM THE EARLY CHRISTIAN ERA1,2
  24. WORD EMOTIONALITY AND THE STRUCTURE OF THE OLD TESTAMENT BOOK OF RUTH1
  25. WORD EMOTIONALITY AND THE STRUCTURE OF THE OLD TESTAMENT BOOK OF RUTH1
  26. QUANTIFYING GENRE: AN OPERATIONAL DEFINITION OF TRAGEDY AND COMEDY BASED ON SHAKESPEARE'S PLAYS1
  27. QUANTIFYING GENRE: AN OPERATIONAL DEFINITION OF TRAGEDY AND COMEDY BASED ON SHAKESPEARE'S PLAYS
  28. WORD EMOTIONALITY AND THE STRUCTURE OF THE OLD TESTAMENT BOOK OF RUTH
  29. THE FLOW OF EMOTION THROUGH BEOWULF1
  30. SERIAL PUBLICATION AND THE EMOTIONAL ASSOCIATIONS OF WORDS IN DICKENS' DAVID COPPERFIELD1
  31. Historical and Socioeconomic Predictors of the Emotional Associations of Sounds in Popular Names
  32. COMPARISON OF THE BOOKS OF THE NEW TESTAMENT (ENGLISH TRANSLATION) IN TERMS OF EMOTION AND WORD USE1
  33. Geographical and Political Predictors of Emotion in the Sounds of Favorite Baby Names
  34. Emotion in the Sounds of Pets' Names
  35. THE FLOW OF EMOTION THROUGH BEOWULF
  36. SERIAL PUBLICATION AND THE EMOTIONAL ASSOCIATIONS OF WORDS IN DICKENS' DAVID COPPERFIELD
  37. HISTORICAL AND SOCIOECONOMIC PREDICTORS OF THE EMOTIONAL ASSOCIATIONS OF SOUNDS IN POPULAR NAMES
  38. TITLES OF ARTICLES PUBLISHED IN THE JOURNAL PSYCHOLOGICAL REPORTS: CHANGES IN LANGUAGE, EMOTION, AND IMAGERY OVER TIME1
  39. “THE SOUND MUST SEEM AN ECHO TO THE SENSE”: POPE'S USE OF SOUND TO CONVEY MEANING IN HIS TRANSLATION OF HOMER'S ILIAD1
  40. USING COMPUTER-SCORED MEASURES OF EMOTION AND STYLE TO DISCRIMINATE AMONG DISPUTED AND UNDISPUTED PAULINE AND NON-PAULINE EPISTLES1
  41. EMOTION AND STYLE IN AN ENGLISH TRANSLATION OF THE QURAN1,2
  42. USING COMPUTER-SCORED MEASURES OF EMOTION AND STYLE TO DISCRIMINATE AMONG DISPUTED AND UNDISPUTED PAULINE AND NON-PAULINE EPISTLES
  43. USING COMPUTER-SCORED MEASURES OF EMOTION AND STYLE TO DISCRIMINATE AMONG DISPUTED AND UNDISPUTED PAULINE AND NON-PAULINE EPISTLES
  44. Poetic Emotion and Poetic Style: The 100 Poems Most Frequently Included in Anthologies and the Work of Emily Dickinson
  45. What Difference Does it Make? Implications of the Size of the Difference between the Means of Two Groups
  46. PRONOUNCEABILITY: A MEASURE OF LANGUAGE SAMPLES BASED ON CHILDREN'S MASTERY OF THE PHONEMES EMPLOYED IN THEM
  47. READERS' OPINIONS OF ROMANTIC POETRY ARE CONSISTENT WITH EMOTIONAL MEASURES BASED ON THE DICTIONARY OF AFFECT IN LANGUAGE
  48. THE EMOTIONAL SYMBOLISM OF TWO ENGLISH E-SOUNDS: A/ AS IN 'CHEAP' IS PLEASANT AND /I/ AS IN 'CHIP' ACTIVE
  49. Personality and Emotion
  50. THE EMOTIONAL SYMBOLISM OF TWO ENGLISH E-SOUNDS: A/ AS IN 'CHEAP' IS PLEASANT AND /I/ AS IN 'CHIP' ACTIVE
  51. PRONOUNCEABILITY: A MEASURE OF LANGUAGE SAMPLES BASED ON CHILDREN'S MASTERY OF THE PHONEMES EMPLOYED IN THEM
  52. READERS' OPINIONS OF ROMANTIC POETRY ARE CONSISTENT WITH EMOTIONAL MEASURES BASED ON THE DICTIONARY OF AFFECT IN LANGUAGE
  53. WHAT DIFFERENCE DOES IT MAKE? IMPLICATIONS OF THE SIZE OF THE DIFFERENCE BETWEEN THE MEANS OF TWO GROUPS
  54. Projecting Presidential Personas on the Radio: An Addendum on the Bushes
  55. Emotion Conveyed by Sound in the Poetry of Alfred, Lord Tennyson
  56. CUES TO REFERENT GENDER IN RANDOMLY CONSTRUCTED NAMES
  57. Sound and Emotion in Given Names
  58. THE EMOTIONALITY OF WILLIAM BLAKE'S POEMS: A QUANTITATIVE COMPARISON OF SONGS OF INNOCENCE WITH SONGS OF EXPERIENCE
  59. CUES TO REFERENT GENDER IN RANDOMLY CONSTRUCTED NAMES
  60. THE EMOTIONALITY OF WILLIAM BLAKE'S POEMS: A QUANTITATIVE COMPARISON OF SONGS OF INNOCENCE WITH SONGS OF EXPERIENCE
  61. THE EMOTIONAL IMPORTANCE OF KEY: DO BEATLES SONGS WRITTEN IN DIFFERENT KEYS CONVEY DIFFERENT EMOTIONAL TONES?
  62. PHONOEMOTIONAL PROFILING: A DESCRIPTION OF THE EMOTIONAL FLAVOUR OF ENGLISH TEXTS ON THE BASIS OF THE PHONEMES EMPLOYED IN THEM
  63. Emotion and Closure in the Sound Expressiveness of Quatrains from Fitzgerald's Rubaiyat of Omar Khayyam
  64. PHONOEMOTIONAL PROFILING: A DESCRIPTION OF THE EMOTIONAL FLAVOUR OF ENGLISH TEXTS ON THE BASIS OF THE PHONEMES EMPLOYED IN THEM
  65. THE EMOTIONAL IMPORTANCE OF KEY: DO BEATLES SONGS WRITTEN IN DIFFERENT KEYS CONVEY DIFFERENT EMOTIONAL TONES?
  66. HOLDING EMOTIONAL AND LINGUISTIC RULERS UP TO THE POETRY OF ROBERT FROST
  67. PHONOSYMBOLISM AND THE EMOTIONAL NATURE OF SOUNDS: EVIDENCE OF THE PREFERENTIAL USE OF PARTICULAR PHONEMES IN TEXTS OF DIFFERING EMOTIONAL TONE
  68. LINGUISTIC COMPLEXITY OF ABSTRACTS AND TITLES IN HIGHLY CITED JOURNALS
  69. LINGUISTIC COMPLEXITY OF ABSTRACTS AND TITLES IN HIGHLY CITED JOURNALS
  70. HOLDING EMOTIONAL AND LINGUISTIC RULERS UP TO THE POETRY OF ROBERT FROST
  71. PHONOSYMBOLISM AND THE EMOTIONAL NATURE OF SOUNDS: EVIDENCE OF THE PREFERENTIAL USE OF PARTICULAR PHONEMES IN TEXTS OF DIFFERING EMOTIONAL TONE
  72. ARE PHONEMES MASTERED EARLY MORE LIKELY TO BE USED IN HIGHLY IMAGED AS OPPOSED TO ABSTRACT NOUNS? A TEST OF PREDICTIONS BASED ON JAKOBSON'S THEORY
  73. EMOTION AND STYLE IN 30-SECOND TELEVISION ADVERTISEMENTS TARGETED AT MEN, WOMEN, BOYS, AND GIRLS
  74. A PARSIMONIOUS TECHNIQUE FOR THE ANALYSIS OF WORD-USE PATTERNS IN ENGLISH TEXTS AND TRANSCRIPTS
  75. OBJECTIVE ANALYSIS OF TEXT: II. USING AN EMOTIONAL COMPASS TO DESCRIBE THE EMOTIONAL TONE OF SITUATION COMEDIES
  76. OBJECTIVE ANALYSIS OF TEXT: II. USING AN EMOTIONAL COMPASS TO DESCRIBE THE EMOTIONAL TONE OF SITUATION COMEDIES
  77. PLEASANTNESS, ACTIVATION, AND SEX DIFFERENCES IN ADVERTISING
  78. CHANGES IN WOMEN'S EMOTIONS AS A FUNCTION OF EMOTION VALENCE, SELF-DETERMINED CATEGORY OF PREMENSTRUAL DISTRESS, AND DAY IN THE MENSTRUAL CYCLE
  79. Content, Style, and Emotional Tone of Texts in Introductory Psychology
  80. CONTENT, STYLE, AND EMOTIONAL TONE OF TEXTS IN INTRODUCTORY PSYCHOLOGY
  81. PLEASANTNESS, ACTIVATION, AND SEX DIFFERENCES IN ADVERTISING
  82. Mate selection in popular women’s fiction
  83. The Modal Study on Premenstrual Syndrome or Tension: A Content Analysis of 315 Recent Abstracts along Global Dimensions
  84. Traditional and emotional stylometric analysis of the songs of Beatles Paul McCartney and John Lennon
  85. THE FALSE RECOGNITION OF MOOD-MATCHED AND MOOD-OPPOSITE WORDS IN A MEMORY TASK: INTRODUCTION OF A DELAYED TESTING CONDITION
  86. OBJECTIVE ANALYSIS OF TEXT: I. A COMPARISON OF ADVENTURE AND ROMANCE NOVELS
  87. A Computer Program for the Objective Analysis of Style and Emotional Connotations of Prose: Hemingway, Galsworthy, and Faulkner Compared
  88. Differences among Slopes and Intercepts for Regression Lines Predicting Children's Connotative and Denotative Knowledge of Familiar and Unfamiliar Words on the Basis of Age
  89. Emotional Descriptors of Words as Predictors of Recall in a Paired-Associate Task
  90. The Position of Sex-Typical Words in Two-Dimensional Emotion Space
  91. A Memory Advantage for Serial Lists Composed of Active Words
  92. National Bias in Judgments of Olympic-Level Skating
  93. Adults' Free-Form Identification of Emotions from Children's Descriptions of Their Antecedents: A Quantitative Analysis
  94. Children's Understanding of Facial Expression of Emotion: III. Adults' Categorical and Dimensional Responses to Children's Drawings
  95. When Children Talk about the Causes of Their Emotions, How Well Do Adults and other Children Understand Which Emotion They are Talking about?
  96. MEMORY DISADVANTAGES FOR CVC ASSOCIATES OF EMOTIONAL WORDS
  97. MEMORY FOR WORDS IN A SERIAL LIST AS A FUNCTION OF PRIMACY-RECENCY, FREQUENCY, LENGTH, ORDER, AND LOCATION IN A TWO-DIMENSIONAL EMOTIONAL SPACE
  98. CHILDREN'S UNDERSTANDING OF FACIAL EXPRESSION OFEMOTION: I. VOLUNTARY CREATION OF EMOTION-FACES
  99. CHILDREN'S UNDERSTANDING OF FACIAL EXPRESSION OF EMOTION: II. DRAWING OF EMOTION-FACES
  100. CHILDREN'S FREELY PRODUCED SYNONYMS FOR SEVEN KEY EMOTIONS
  101. AN HEURISTIC FOR THE STUDY OF THE EFFECTS OF EMOTION ON MEMORY
  102. AN HEURISTIC FOR THE STUDY OF THE EFFECTS OF EMOTION ON MEMORY
  103. CHILDREN'S FREELY PRODUCED SYNONYMS FOR SEVEN KEY EMOTIONS
  104. MEMORY IN A MOOD-INDUCING VERBAL LEARNING TASK
  105. WILL PREMENSTRUAL SYNDROME PRODUCE A MS HYDE?: EVIDENCE FROM DAILY ADMINISTRATIONS OF THE EMOTIONS PROFILE INDEX
  106. THE DICTIONARY OF AFFECT IN LANGUAGE
  107. THE DICTIONARY OF AFFECT IN LANGUAGE AS A TOOL FOR THE ASSESSMENT OF AFFECTIVE TONE IN A DESCRIPTIVE TASK
  108. THE AFFECTIVE TONE OF WORDS IN VELTEN'S MOOD-INDUCTION STATEMENTS
  109. The Leford Test of Tenant Locus of Control
  110. Leford Test of Tenant Locus of Control
  111. A DICTIONARY OF AFFECT IN LANGUAGE: V. WHAT IS AN EMOTION?
  112. CHILDREN'S APPRECIATION AND UNDERSTANDING OF HUMOROUS CARTOON DRAWINGS
  113. THE DICTIONARY OF AFFECT IN LANGUAGE: VI. "SENSATIONALISM" DEFINED IN TERMS OF AFFECTIVE TONE
  114. A DICTIONARY OF AFFECT IN LANGUAGE: IV. RELIABILITY, VALIDITY, AND APPLICATIONS
  115. A DICTIONARY OF AFFECT IN LANGUAGE: III. ANALYSIS OF TWO BIBLICAL AND TWO SECULAR PASSAGES
  116. THE ROLE OF THE FACE IN HUMAN EMOTION: FIRST SYSTEM OR ONE OF MANY?
  117. A DICTIONARY OF AFFECT IN LANGUAGE: II. WORD INCLUSION AND ADDITIONAL VALIDATION
  118. A DICTIONARY OF AFFECT IN LANGUAGE: I. ESTABLISHMENT AND PRELIMINARY VALIDATION
  119. LAUGHTER AS A FUNCTION OF AUDIENCE SIZE, SEX OF THE AUDIENCE, AND SEGMENTS OF THE SHORT FILM 'DUCK SOUP'
  120. EMOTION: A CLASSIFICATION OF CURRENT LITERATURE
  121. SELF-RATINGS OF MOOD AND EMOTION: PREDICTORS OF BETWEEN-WORD VARIANCE
  122. SELF-RATINGS OF MOOD AND EMOTION: PREDICTORS OF BETWEEN-WORD VARIANCE
  123. PERCEIVED BODILY CORRELATES OF EMOTION IN RELATION TO A TWO-DIMENSIONAL MODEL OF AFFECT SPACE
  124. PERCEIVED LOCUS OF CAUSALITY AS A VARIABLE AFFECTING USE OF EMOTIONAL WORDS
  125. DIMENSIONS OF AFFECT AND A PAIRED-COMPARISON SORTING ALGORITHM: A SIMULTANEOUS VALIDATION
  126. DIMENSIONS OF AFFECT AS PREDICTORS OF FREE CLASSIFICATION OF AFFECTIVE WORDS
  127. DIFFERENT SEMANTIC FACTORS REPRESENTING LAUGHTER AND SMILES
  128. DIMENSIONS UNDERLYING RATING RESPONSES TO 50 RANDOMLY SELECTED EMOTIONAL WORDS: A SYSTEMATIC REPLICATION WITH NAIVE SUBJECTS
  129. PLEASURE AND ACTIVATION REVISITED: DIMENSIONS UNDERLYING SEMANTIC RESPONSES TO FIFTYRANDOMLY SELECTED "EMOTIONAL" WORDS
  130. SEX, EYE-COLOR, AND AESTHETIC RATINGS OF COLORS
  131. AESTHETIC JUDGMENT OF SHAPES: EYE COLOR, COMPLEXITY, AND FIRST- AND SECOND-ORDER SYMMETRY AS PREDICTORS
  132. NEUROTICISM, PRACTICE, AND SEX DIFFERENCES IN A DIGIT-SYMBOL TASK
  133. SEX, EYE COLOR, AND RATINGS OF PLEASANTNESS FOR AUDITORY STIMULI
  134. DELAYED AUDITORY FEEDBACK: PERSONALITY AND ORDER OF ADMINISTRATION
  135. EYE COLOR AND JUDGMENTS OF AESTHETIC VALUE OF SHAPES
  136. EFFECTS OF NOISE ON ACCURACY, VISIBLE VOLUME, AND GENERAL RESPONSE PRODUCTION FOR HUMAN SUBJECTS