All Stories

  1. Intra-cultural congruity in Ignatius Mabasa’s portrayal of sexual harassment discourse in Shona novels
  2. The musical treatment of the cell phone technology in Zimbabwe: analysing selected songs
  3. Breaking the chains: An Afrocentric exploration of ageism in selected Zimbabwean musicians’ songs
  4. An analysis of pre-recorded street audio adverts in Zimbabwe: A dariro perspective
  5. Typification of democracy in ancient Shona society: a paremiological perspective
  6. Honouring and praising mothers through song: analysing selected songs of Zimdancehall artist, Tocky Vibes
  7. Visualisation of female characters in Huturu Hwemavanga (Vernom from the Scars), Chakwesha (The Boss) and Nguva Yakaoma (Hard Times)
  8. The intersections of comedy and politics in Zimbabwe: analysing Baba Tencen’s ‘Borderphobia’ and Prosper Ngomashi’s ‘Pastor and his wives’
  9. Existential Nihilism in Ignatius Mabasa’s Poetry: Implications for the Development of the Human Factor
  10. Life-affirmation in Chirikure Chirikure’s ‘Europe Vakomana!’ and Greater Mhondera’s ‘Usatye Kani Africa!’
  11. Woman with voice: An analysis of female agency in Dino Mudondo’s song, ‘Jatirofa’ and Josphat Somanje’s ‘Handibvume’
  12. Children’s songs and human factor development: A comparative analysis of Shona children’s songs and imported English nursery rhymes
  13. MILITARISING MUSIC AND DEMILITARISING THE MILITARY: MAKING SENSE OF“MUSOJA”IN ZIMDANCEHALL MUSIC