All Stories

  1. Music, City and the Roma Under Communism. By Anna G. Piotrowska. London: Bloomsbury Academic, 2022. 208 pp. ISBN 978-1-5013-8081-5
  2. ‘Can I Be Gay in the Army?’: British Army recruitment advertising to LGBTQ youth in 2017–18 and belonging in the queer military home
  3. Queer Budapest, 1873–1961
  4. The contingencies of whiteness: Gendered/racialized global dynamics of security narratives
  5. Guarding the “Balkan Route” on the postsocialist frontier: revisiting Maja Weiss’ Varuh meje (2002)
  6. Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia
  7. Extremism and Violent Extremism in Serbia. 21st-Century Manifestations of an Historical Challenge
  8. A War of Songs. Popular Music and Recent Russia–Ukraine Relations
  9. Forum: Militarization 2.0: Communication and the Normalization of Political Violence in the Digital Age
  10. Language Intermediaries and Local Agency: Peacebuilding, Translation/Interpreting and Political Disempowerment in ‘Mature’ Post-Dayton Bosnia–Herzegovina
  11. The Last Yugoslav Generation. The Rethinking of Youth Politics and Cultures in Late Socialism
  12. Veteran masculinities and audiovisual popular music in post-conflict Croatia: a feminist aesthetic approach to the contested everyday peace
  13. What female pop-folk celebrity in south-east Europe tells postsocialist feminist media studies about global formations of race
  14. Russian Homophobia from Stalin to Sochi
  15. Between the Round Table and the Waiting Room: Scholarship on War and Peace in Bosnia-Herzegovina and Kosovo after the ‘Post-Cold War’
  16. Postcoloniality Without Race? Racial Exceptionalism and Southeast European Cultural Studies
  17. Football in Southeastern Europe: From Ethnic Homogenization to Reconciliation, edited by John Hughson and Fiona Skillen
  18. ‘A Different Kind of Power’?: identification, stardom and embodiments of the military in Wonder Woman
  19. Audible States: Socialist Politics and Popular Music in Albania
  20. Holly Furneaux, Military men of feeling: emotion, touch and masculinity in the Crimean War
  21. The filter is so much more fragile when you are queer
  22. The ‘gay Olympics’? The Eurovision Song Contest and the politics of LGBT/European belonging
  23. Hromadžić, Azra. 2015. Citizens of an empty nation: youth and state-making in postwar Bosnia-Herzegovina. Philadelphia, PA: University of Pennsylvania Press. 239 pp. Hb: £39.00. ISBN: 9780812247008.
  24. Spaces of the Past: Emotional Discourses of ‘Zavičaj’ (Birthplace) and Nation in Yugoslav and Post-Yugoslav Popular Music
  25. The Bosnian Muslims in the Second World War: A History, by Marko Attila Hoare
  26. Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Farnham: Ashgate. 258pp. ISBN 978-1-4094-4565-4 (hbk)
  27. Symphony of Sirens: Uses and Problems of Sound in Teaching and Learning about Music and Politics
  28. Innocence and victimhood: gender, nation, and women’s activism in postwar Bosnia-Herzegovina
  29. Beyond the island story?: The opening ceremony of the London 2012 Olympic Games as public history
  30. The Local Workforce of International Intervention in the Yugoslav Successor States: ‘Precariat’ or ‘Projectariat’? Towards an Agenda for Future Research
  31. Emily Greble Sarajevo, 1941-1945: Muslims, Christians, and Jews in Hitler's Europe Ithaca, NY: Cornell University Press, 2011, 276 pp. £21.50 hbk
  32. Bought and Sold: Living and Losing the Good Life in Socialist Yugoslavia, by Patrick Hyder Patterson
  33. Critical pedagogy within the migration/security nexus: but who gets through the door?
  34. Music as a weapon of ethnopolitical violence and conflict: processes of ethnic separation during and after the break-up of Yugoslavia
  35. Vampire Nation: Violence as Cultural Imaginary
  36. Philip A. D'Agati, Nationalism on the World Stage: Cultural Performance at the Olympic Games. Lanham, MD: University Press of America, 2011, 205pp. £19.15 (pbk).
  37. Book reviews
  38. Interpreting the Peace
  39. Language, Cultural Space and Meaning in the Phenomenon of "Cro-dance?
  40. Annica Kronsell.Gender, Sex, and the Postnational Defense: Militarism and Peacekeeping
  41. Reviews
  42. When Bosnia was a Commonwealth Country: British Forces and their Interpreters in Republika Srpska 1995-2007
  43. Prosperity without Security: The Precarity of Interpreters in Postsocialist, Postconflict Bosnia-Herzegovina
  44. Reviews
  45. Have You Ever Been in Bosnia? British Military Travelers in the Balkans since 1992
  46. Popular Music and Political Change in Post-Tuđman Croatia: ‘It's All the Same, Only He's Not Here’?
  47. The Care and Feeding of Linguists: The Working Environment of Interpreters, Translators, and Linguists During Peacekeeping in Bosnia-Herzegovina
  48. It's not their job to soldier: distinguishing civilian and military in soldiers' and interpreters' accounts of peacekeeping in 1990s Bosnia-Herzegovina
  49. War Memory and Musical Tradition: Commemorating Croatia's Homeland War through Popular Music and Rap in Eastern Slavonia
  50. Exploring the Networked Worlds of Popular Music: Milieu Cultures. By Peter Webb. New York and Abingdon: Routledge, 2007. 277 pp. ISBN 0-415-95658-7
  51. Transported by Song: Corsican Voices from Oral Tradition to World Stage. By Caroline Bithell. Lanham, MD: Scarecrow Press, 2007. 344 pp. ISBN 0-8108-5439-2
  52. When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity
  53. Reviews
  54. Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest
  55. The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980. By Gillian Mitchell. Aldershot: Ashgate, 2007. 222 pp. ISBN 0-7546-5756-6. £55.00 (hb)
  56. The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences. Edited by David Cooper and Kevin Dawe. Lanham, MD: Scarecrow Press, 2005. 247 pp. ISBN 0-8108-5407-4
  57. The Politics of Performance: Transnationalism and its Limits in Former Yugoslav Popular Music, 1999–2004