All Stories

  1. STEPHEN RUMPH MOZART AND ENLIGHTENMENT SEMIOTICSBerkeley: University of California Press, 2012 pp. xvi+265, isbn978 0 520 26086 3
  2. Operatics: The Interdisciplinary Workings of Opera
  3. Revolution, rebirth, and the sublime in Haydn’s L’anima del filosofo and The Creation
  4. CARYL CLARK HAYDN'S JEWS: REPRESENTATION AND RECEPTION ON THE OPERATIC STAGECambridge: Cambridge University Press, 2009 pp. xvii+244, ISBN978 0 521 45547 3
  5. Introduction
  6. Haydn’s Judaizing of the apothecary
  7. Caryl Clark, Haydn's Jews: Representation and Reception on the Operatic Stage. Cambridge and New York: Cambridge University Press, 2009. 262pp.
  8. Ensembles and finales
  9. Haydn's Conversion Masses
  10. The Cambridge Companion to Haydn. Ed. by Caryl Clark.
  11. CARYL CLARK, ED. THE CAMBRIDGE COMPANION TO HAYDNCambridge: Cambridge University Press, 2005 pp. xix + 318, ISBN 978 0 521 54107 7
  12. Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times
  13. Whose Who?
  14. Die Opera seria bei Joseph Haydn: Studien zu Form und Struktur musikalischer Affektdramaturgie und Figurentypologisierung in Armida und L'anima del filosofo ossia Orfeo ed Euridice (review)
  15. Caryl Clark, ed. The Cambridge Companion to Haydn. Cambridge: Cambridge University Press, 2005. 318 pp. ISBN 0-521-54107-7 (paperback)
  16. Haydn's aesthetics
  17. Haydn and humor
  18. The quartets
  19. Sacred music
  20. Miscellaneous vocal genres
  21. Haydn's exoticisms: “difference” and the Enlightenment
  22. Orchestral music: symphonies and concertos
  23. Haydn and posterity: the long nineteenth century
  24. The kitten and the tiger: Tovey's Haydn
  25. Recorded performances: a symphonic study
  26. Haydn's career and the idea of the multiple audience
  27. A letter from the wilderness: revisiting Haydn's Esterházy environments
  28. First among equals: Haydn and his fellow composers
  29. Intimate expression for a widening public: the keyboard sonatas and trios
  30. The sublime and the pastoral in The Creation and The Seasons
  31. A composer, his dedicatee, her instrument, and I: thoughts on performing Haydn's keyboard sonatas
  32. Back by Request: Editors' Introduction
  33. The Cambridge Companion to Haydn
  34. Introduction: Sorcerers and Sorceresses
  35. Editors' Preface: Opera and Interdisciplinarity
  36. True Confessions: Opera, Literature, History
  37. Forging Identity: Beethoven's "Ode" as European Anthem
  38. The Voice of Nations: European National Anthems and Their Authors
  39. New Directions for Haydn Research: Internationaler Joseph Haydn Kongress, Wien, 1982 . Eva Badura-Skoda.
  40. New Directions for Haydn Research
  41. Haydn in the theater: the operas
  42. Notes
  43. Bibliography