All Stories

  1. Cultural Labour and Contemporary World Literatures in Portuguese
  2. The Work of Literature and the Worlding of Contemporary Fiction in Portuguese. An Introduction
  3. Canta la Calle . Sonic affirmation and the politics of the carnivalesque in Cádiz
  4. Batida and the politics of sonic agency in Afro-Lisboa
  5. Curating and the Legacies of Colonialism in Contemporary Iberia, Carlos Garrido Castellano and Bruno Leitão (eds) (2022)
  6. Public art and social media: street art tourism, sociocultural agency and cultural production in contemporary Lisbon
  7. Possible Spaces/ Spaces of Possibility in Contemporary Brazilian Literature
  8. Trapping Ecosystems
  9. Modos Artísticos. En torno a la novela de arte contemporánea como espacio de experimentación. Una mirada a Muerte Súbita (2013) de Álvaro Enrigue
  10. Literary Fictions of the Contemporary Art System: Global Perspectives in Spanish and Portuguese by Carlos Garrido Castellano (review)
  11. Art Activism for an Anticolonial Future: a conversation with Carlos Garrido Castellano
  12. Literary Fictions of the Contemporary Art System
  13. Art Economies and Energy Colonialism, Luanda Version
  14. Introduction
  15. Redefining Artistic Expertise in Pre- and Post-crisis Portugal
  16. The Aesthetics of Narcocapitalist Politics
  17. The Novel after Art Theory
  18. The Transdividual Art Novel
  19. “Killing Several Birds with One Stone”
  20. Displaying Postcolonial Spain.
  21. Visible Matters.
  22. Introduction the Temporal Politics of Anticolonial Aesthetics
  23. Performance Art, Race, and Contemporaneity in the Dominican Republic
  24. C.L.R. James and the Genealogies of Socially Transformative Aesthetics
  25. Art Activism for an Anticolonial Future
  26. Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere, by Carlos Garrido Castellano
  27. Emma Wolukau-Wanambwa
  28. Inside and Outside the Exhibition Space
  29. Decentring the Genealogies of Art Activism
  30. Bottom-up creativity and insurgent citizenship in “Afro Lisboa”: Racial difference and cultural commodification in Portugal
  31. Assessing the Neoliberal Künstlerroman. ‘Creative’ Self-Realisation and the Art World in Michael Cunningham’s by Nightfall
  32. Notes on Curatorship, Cultural Programming and Coloniality in Portugal
  33. Ryder Meets Bourriaud. Kazuo Ishiguro’s The Unconsoled and the Contradictions of “Creative Capitalism”
  34. Iconografias de resistência: O caso de quatro artistas portugueses em Londres nos anos 1950
  35. Unapologetic Soundings of Afro-Portuguese Creativity
  36. The lure of diglossia: A conversation with Grant Kester
  37. Curating and Cultural Difference in the Iberian Context: From Difference to Self-Reflexivity (and Back Again)
  38. The institution of institutionalism: difference, universalism and the legacies of Institutional Critique
  39. Introductory Note
  40. Caribbean Artistic Genealogies of Withdrawal. Rethinking Caribbean Visuality Beyond Objecthood
  41. ‘La elocuencia que su entrenamiento como artista plástico le permitía.’ Subalternidad, cultura e instituciones en La Mucama de Omicunlé de Rita Indiana Hernández
  42. ‘To Give Fear a Face’: Memory and Fear in Paula Rego’s Early Work
  43. Institutionalism, Public Sphere, and Artistic Agency: A Conversation on 32° East Ugandan Art Trust
  44. Artistic autonomy in non-autonomous contexts: reframing collective agency and insurgence from Caribbean artist-managed spaces
  45. Shadowy Presences: Mobility, Labor and Absence in the Work of Dominican Photographer Fausto Ortiz
  46. Rethinking the “Transnational” Caribbean Curatorial: Politics of Space in “Caribe insular: Exclusión, fragmentación y paraíso”
  47. Caribbean curatorial agencies: A Cultural Objects unruliness and its affective aftermaths
  48. Sur en espejo. Portugal en el imaginario curatorial español contemporáneo
  49. On Truth and Opacity. Symbolic Translation and Legibility in Contemporary Text-Based Cuban Art
  50. Conceptual Materialism
  51. GEOGRAPHICAL EMBODIMENTS: RE-MAKING URBAN CARIBBEAN CARTOGRAPHIES THROUGH ART FROM SANTO DOMINGO, DOMINICAN REPUBLIC
  52. On Art and Other Trades in Turn of Millennium Cuba: A Conversation with Alexandre Arrechea
  53. Periferia de la periferia. Sobre el papel de las exposiciones colectivas en la definición del arte caribeño contemporáneo
  54. Navigation in past museum exhibitions using multimedia archives
  55. Esquema para habitar ciudades de sombra
  56. Horizontes compartidos. India en las Bienales de La Habana