All Stories

  1. The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age
  2. Historical drama for the stage and how it's changing in the 21st century.
  3. History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past
  4. “You Can’t Be Here”: The Playwriting Dialectic in Ella Hickson’s Oil
  5. Vera Cantoni New Playwriting at Shakespeare’s Globe London: Bloomsbury Methuen, 2018. 256 p. £75.00. ISBN: 978-1-474-29824-7.
  6. Before the Fall: Looking Back on the Royal Shakespeare Company’s “This Other Eden” Season (2001)
  7. Introduction
  8. Staging the Séance: The Spirit Medium and the Gothic in Modern Theatre
  9. Writing the Ghost—An Interview with Playwright Michael Punter
  10. The Villain-Effect: Distance and Ubiquity in Neo-Victorian Popular Culture
  11. The Trickster, Remixed: Sherlock Holmes as Master of Disguise
  12. Reviews
  13. Reviews
  14. Penny Dreadful and Adaptation
  15. Theatre & Empire
  16. Bernard Shaw and totalitarianism: longing for Utopia
  17. Reviews
  18. Reviews
  19. Reclaiming the Dame: Cross-dressing as Queen Victoria in British theatre and television comedy
  20. Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories
  21. VICTORIANS LIVE
  22. Heritage, Nostalgia and Modern British Theatre
  23. Introduction: Staging the Victorians — ‘Angry Ghosts’?
  24. Staging the Bad Old Days
  25. Conclusion: Restaging the Victorians
  26. Staging Life Stories
  27. Staging Hauntings
  28. Staging the Empire
  29. Staging the Brontës
  30. Staging Dickens
  31. Reviews
  32. ‘I have been true to you, upon my guilty soul I have!’: Negotiating Nancy, ‘hyperauthenticity’ and ‘hyperfidelity’ in the 2007 BBC adaptation of Oliver Twist
  33. Reviews