All Stories

  1. Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity, Christina Parkerflynn (2022)
  2. Framing “l’Âme des personnages”: Performance and Affect in Jacques Feyder’s Pension Mimosas (1935)
  3. Le(s) Visage(s) de Garbo: Negotiating Discourses of Authorship and Stardom in Jacques Feyder's The Kiss (1929)
  4. Greenhouses in French Cinema of the 1930s
  5. Reviews
  6. “After Hollywood and Its Ever-Blue Skies, How Beautiful Paris Looks!”: Jacques Feyder between France and America, 1928–1934
  7. ‘What we have done is shameful’: interrogating the relationship between France and itsAlgériein Jean Renoir’sLe Bled(1929)