All Stories

  1. Creative AI: Prompting Portraits and Matching Datasets
  2. Review: The Archive of Forgetfulness
  3. Between Eco-Anxiety and Solastalgia: Aspirational and Exiled Astronaut Eco-Imaginaries
  4. INTER(FACING) PERSONAS
  5. Performing the virtual double
  6. Introduction
  7. Balancing Act
  8. In Vain
  9. Approaching the Unknown
  10. Running-As-If
  11. Up in the Air
  12. Into the Void
  13. Correction
  14. Approaching Aby Warburg and Digital Art History
  15. Astronaut Space Selfies
  16. Oversharing in the time of selfies: an aesthetics of disappearance?
  17. Art South Africa
  18. Voices from the South: Digital Arts and Humanities
  19. Digital Scholarship and Representations of the Self: Exploratory Notes
  20. Hysterical Representation in the Art of Mary Sibande
  21. Sublime selfies: To witness death
  22. Why collecting machines is important for understanding film history
  23. When Selfies Turn into Online $$Doppelg\ddot{a}ngers$$ D o p p e l g a ¨ n g e r s : From Double as Shadow to Double as Alter Ego
  24. Re-imagining place, home and belongingUp in the Air
  25. The Marikana Massacre: Seeing it All
  26. Book Reviews
  27. The role of memes in the construction of Facebook personae
  28. THE RHETORICS OF THE eXtreme
  29. Mitchell, W. J. T., Cloning Terror: The War of Images, 9/11 to the Present, University of Chicago Press, Chicago, 2011. ISBN: 987-0-226-53260-8, 256 pp., US$22.50.
  30. Editorial
  31. Editorial
  32. Remembering Juliet Armstrong
  33. ‘Material girls’: lingering in the presence of the material sublime
  34. Book Reviews
  35. The sublime and the cultures of the extreme: An exploration
  36. Through the Empire's Eyes: Engaging the Gaze
  37. Rekspring en die eKstreme sublieme
  38. Putting on appearances: Mimetic representations of hysteria
  39. Virtual Babes: gender, archetypes and computer games
  40. ‘No more I love yous’: moving into the twilight zone with Tracy Payne's gender-(in)betweeners
  41. Oversharing in the time of selfies: