All Stories

  1. A Consideration of the Absolute in Visual Music Animation

    Article • January 2019, Taylor & Francis

    Dr Aimee Mollaghan

  2. Rebalancing the Picture-Sound Relationship: The Audiovisual Compositions of Lis Rhodes

    Article • August 2017, Oxford University Press (OUP)

    Dr Aimee Mollaghan

  3. Akira Mizuta Lippit (2012) Ex-Cinema: From a Theory of Experimental Film and Video

    Article • Film-Philosophy, December 2015, Edinburgh University Press

    Dr Aimee Mollaghan

  4. Psychogeography and Soundscape in Irish Cinema

    Article • The New Soundtrack, September 2015, Edinburgh University Press

    Dr Aimee Mollaghan

  5. The Visual Music Film

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  6. Experimentation and Technological Innovation

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  7. Introduction

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  8. Conclusion

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  9. The Formal Absolute in the Visual Music Film

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  10. Conceptions of Harmony in the Work of John Whitney

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  11. The Spiritual Absolute in the Visual Music Film

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  12. Questions of Attribution and Contribution: What Constitutes a Visual Music Film?

    Article • January 2015, Nature

    Dr Aimee Mollaghan

  13. Audio-visual moiré patterns: Phasing in Guy Sherwin’s Optical Sound films

    Article • The Soundtrack, April 2014, Intellect

    Dr Aimee Mollaghan

  14. Dancefilm: Choreography and the Moving Image

    Article • Screen, February 2012, Oxford University Press (OUP)

    Dr Aimee Mollaghan

  15. An audio-visual Gallivant: Psychogeographical soundscapes in the films of Andrew Ktting

    Article • The Soundtrack, December 2010, Intellect

    Dr Aimee Mollaghan