All Stories

  1. Curating the music city: The accommodation sector in Glasgow’s music tourism ecology
  2. Birmingham and the (International) Business of Live Music in Times of COVID-19
  3. 1-2-3-4! Measuring the values of live music: methods, models and motivations
  4. A tribute to Dave Laing
  5. Special Issue Introduction
  6. Making Live Music Count: The UK Live Music Census
  7. Going spare? Concert tickets, touting and cultural value
  8. Copy Rights: The Politics of Copying and Creativity
  9. Copying, copyright and originality: imitation, transformation and popular musicians
  10. Sampling and copying: the ethics and legality of music making in the digital age.
  11. Celtic Music in Scotland
  12. Live Concert Performance: An Ecological Approach
  13. Cultural value and cultural policy: some evidence from the world of live music
  14. Join Together with the Band: Authenticating Collective Creativity in Bands and the Myth of Rock Authenticity Reappraised
  15. The place of popular music in Scotland's cultural policy
  16. The real “crossroads” of live music – the conventions of performance at open mic nights in Edinburgh
  17. Remembering Woodstock. Edited by Andy Bennett. Aldershot: Ashgate, 2004. xxi + 159 pp. ISBN 0 7546 0713 5
  18. The Rolling Stones: An Oral History. By Alan Lysaght. Toronto: McArthur and Company, 2003. 310+v pp. ISBN 1-55278-392-8 (paperback)
  19. The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8
  20. The Last Party: Britpop, Blair and the Demise of English Rock. By John Harris. London: Fourth Estate, 2003. 448 pp. ISBN 0-00-713472-X
  21. Karaoke Nights: An Ethnographic Rhapsody. By Rob Drew. Atamira Press, 2001. 160 pp. ISBN 0759100470.