All Stories

  1. Curating the music city: The accommodation sector in Glasgow’s music tourism ecology
  2. Birmingham and the (International) Business of Live Music in Times of COVID-19
  3. Music, Digitalization, and Democratic Elections: The Changing Soundtrack of Electoral Politics in the UK
  4. 1-2-3-4! Measuring the values of live music: methods, models and motivations
  5. A tribute to Dave Laing
  6. Special Issue Introduction
  7. Making Live Music Count: The UK Live Music Census
  8. Going spare? Concert tickets, touting and cultural value
  9. Copy Rights: The Politics of Copying and Creativity
  10. Copying, copyright and originality: imitation, transformation and popular musicians
  11. Sampling and copying: the ethics and legality of music making in the digital age.
  12. Celtic Music in Scotland
  13. Live Concert Performance: An Ecological Approach
  14. Cultural value and cultural policy: some evidence from the world of live music
  15. Join Together with the Band: Authenticating Collective Creativity in Bands and the Myth of Rock Authenticity Reappraised
  16. The place of popular music in Scotland's cultural policy
  17. The real “crossroads” of live music – the conventions of performance at open mic nights in Edinburgh
  18. Remembering Woodstock. Edited by Andy Bennett. Aldershot: Ashgate, 2004. xxi + 159 pp. ISBN 0 7546 0713 5
  19. The Rolling Stones: An Oral History. By Alan Lysaght. Toronto: McArthur and Company, 2003. 310+v pp. ISBN 1-55278-392-8 (paperback)
  20. The Cambridge Companion to the Guitar. Edited by Victor Anand Coelho. Cambridge: Cambridge University Press, 2003. 278 pp. ISBN 0–521–00040–8
  21. The Last Party: Britpop, Blair and the Demise of English Rock. By John Harris. London: Fourth Estate, 2003. 448 pp. ISBN 0-00-713472-X
  22. Karaoke Nights: An Ethnographic Rhapsody. By Rob Drew. Atamira Press, 2001. 160 pp. ISBN 0759100470.