All Stories

  1. Campos en evolución: Comunicación, marketing y patrocinio en el deporte
  2. Opening Materials
  3. Introduction to the special issue—sport, the media and Ireland: intersections of gender, class and geography
  4. Going vertical: examining the rise and impact of contemporary Russian sports cinema
  5. “Exposing force”: the COVID-19 pandemic and women's sport in Ireland during 2020–2021
  6. Review of Women in the Irish Film Industry, by Susan Liddy (ed.)
  7. “A Self-Interested Silence”: Silences Identified and Broken in Peter Lennon’s Rocky Road to Dublin (1967)
  8. “Men Love Women, But Even More Than That, Men Love Cars”: Motor Racing on Film
  9. Introduction
  10. Opening Materials
  11. Time Out: National Perspectives on Sport and the Covid-19 Lockdown
  12. The Shore (2011): Examining the Reconciliation Narrative in Post-Troubles Cinema
  13. Sport and the Christian Religion: A Systematic Review of the Literature
  14. The development of sport in Donegal
  15. Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964)
  16. Sport and Film
  17. The National Film Institute of Ireland’s All-Ireland Films
  18. Contemporary Irish film: new perspectives on a national cinema
  19. Sport and the Media in Ireland
  20. The depiction of Gaelic games in Pathé newsreels
  21. Crisis and Contemporary Poetry
  22. Crisis and Contemporary Poetry: An Introduction
  23. ‘The Given Note’: Traditional Music, Crisis and the Poetry of Seamus Heaney
  24. Introduction
  25. Review Section
  26. Sport, Representation, and the Commemoration of the 1916 Rising: ‘A New Ireland Rises’?
  27. “They can’t wipe us out, they can’t lick us. We’ll go on forever pa, ‘cause we’re the people”: Misrepresenting Death in Jim Sheridan’s In America (2003)
  28. Seán Crosson Anticipating a postnationalist Ireland: Representing Gaelic games in Rocky Road to Dublin (1968) and Clash of the Ash (1987) 85
  29. Estudios Irlandeses