All Stories

  1. Opening Materials
  2. Introduction to the special issue—sport, the media and Ireland: intersections of gender, class and geography
  3. Going vertical: examining the rise and impact of contemporary Russian sports cinema
  4. “Exposing force”: the COVID-19 pandemic and women's sport in Ireland during 2020–2021
  5. Review of Women in the Irish Film Industry, by Susan Liddy (ed.)
  6. “A Self-Interested Silence”: Silences Identified and Broken in Peter Lennon’s Rocky Road to Dublin (1967)
  7. “Men Love Women, But Even More Than That, Men Love Cars”: Motor Racing on Film
  8. Introduction
  9. Opening Materials
  10. Time Out: National Perspectives on Sport and the Covid-19 Lockdown
  11. The Shore (2011): Examining the Reconciliation Narrative in Post-Troubles Cinema
  12. Sport and the Christian Religion: A Systematic Review of the Literature
  13. The development of sport in Donegal
  14. Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964)
  15. Sport and Film
  16. The National Film Institute of Ireland’s All-Ireland Films
  17. Contemporary Irish film: new perspectives on a national cinema
  18. Sport and the Media in Ireland
  19. The depiction of Gaelic games in Pathé newsreels
  20. Crisis and Contemporary Poetry
  21. Crisis and Contemporary Poetry: An Introduction
  22. ‘The Given Note’: Traditional Music, Crisis and the Poetry of Seamus Heaney
  23. Introduction
  24. Review Section
  25. Sport, Representation, and the Commemoration of the 1916 Rising: ‘A New Ireland Rises’?
  26. “They can’t wipe us out, they can’t lick us. We’ll go on forever pa, ‘cause we’re the people”: Misrepresenting Death in Jim Sheridan’s In America (2003)
  27. Seán Crosson Anticipating a postnationalist Ireland: Representing Gaelic games in Rocky Road to Dublin (1968) and Clash of the Ash (1987) 85
  28. Estudios Irlandeses