All Stories

  1. 22. Appropriation, Abstraction and Appraisal: Modernist Legacies of Contemporary Dance
  2. Ballets Russes y blackface
  3. Staging a ‘Children’s Classic’, teaching racism: Pippi Longstocking ([2005] 2019)
  4. Choreographing Histories: Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship
  5. From historical materiality to performance: Choreographic functions of the costumes in The Rite of Spring (1913)
  6. On “Contemporaneity” in Ballet and Contemporary Dance
  7. Historical materiality of performance: On the costumes ofThe Rite of Spring(1913)
  8. Ballets Russes and Blackface
  9. Aesthetics (presentation at CARPA6)
  10. Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance; Caroline Joan S. Picart, Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
  11. Re-imagining: A Case Study of Exercises and Strategies
  12. Clare Croft, Dancers as Diplomats: American Choreography in Cultural Exchange
  13. Democratic Bodies? Reflections on «Postmodern Dance» in the United States and Finland
  14. Koreografian ja historiantutkimuksen uudelleen kuvittelua
  15. Corporeal Memories: A Historian’s Practice
  16. Do Not Cross the Line—Dance as Political Protest in Christopher Winkler'sThe True Face
  17. Comedy Ballet as Social Commentary: Till Eulenspiegel (1916)
  18. Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde
  19. Dancing Genius
  20. Orientalism
  21. Corporeality
  22. Conclusion
  23. Male Beauty
  24. Revolutionary Exiles
  25. An Audience for Ballet
  26. Introduction: a Genealogy
  27. The Mad Genius
  28. The Old and the New Ballet
  29. The Unique Genius
  30. ‘Great Horizons Flooded with the Alien Light of the Sun’: Le Sacre du Printemps in the Russian Context
  31. The Invention of Norden
  32. Akim Volynsky: Ballet's Magic Kingdom: Selected Writings on Dance in Russia, 1911–1925. Translated, Edited, with an Introduction and Notes by Stanley J. Rabinowitz. Yale University Press, New Haven and London 2008. ISBN 978–0-300-12462-0, 288 ss.
  33. Sjeng Scheijen, Diaghilev: A Life. Trans. Jane Hedley-Prôle and S.J. Leinbach. London: Profile Books, 2009 (Dutch 2009). 552pp, 70 illustrations of which 8 in colour. ISBN: 9781846681417. £25.00.
  34. Charles R. Batson, Dance, Desire, and Anxiety in Early Twentieth-Century French Theater: Playing Identities, Ashgate, Aldershot, Hants and Burlington, Vermont, 2005, 275pp. ISBN: 978-0754651307.
  35. Rhonda K. Garelick, Electric Salome: Loie Fuller's Performance of Modernism. Princeton and Oxford: Princeton University Press, 2007, 246 pp., illustrated. ISBN: 978-0691141091.Ann Cooper Albright, Traces of Light: Absence and Presence in the Work of Lo...
  36. Failed Impressions: Diaghilev's Ballets Russes in America, 1916
  37. Critical Silence: The Unseemly Games of Love in Jeux (1913)
  38. Dancing without Space – On Nijinsky'sL'Après-midi d'un Faune(1912)
  39. Dance of the Past in the Present: Teaching a Metahistory
  40. ‘The Russian Barnum’: Russian Opinions on Diaghilev's Ballets Russes, 1909–1914
  41. Kinesthesia, Synesthesia andLe Sacre du Printemps: Responses to Dance Modernism
  42. Book Reviews
  43. Introduction
  44. Orientalism
  45. Corporeality
  46. Conclusion
  47. The Unique Genius
  48. The Mad Genius
  49. Male Beauty
  50. Revolutionary Exiles
  51. An Audience for Ballet
  52. The Old and the New Ballet
  53. Nijinsky, Vaslav (1889–1950)