All Stories

  1. 22. Appropriation, Abstraction and Appraisal: Modernist Legacies of Contemporary Dance
  2. Choreographing Histories: Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship
  3. From historical materiality to performance: Choreographic functions of the costumes in The Rite of Spring (1913)
  4. On “Contemporaneity” in Ballet and Contemporary Dance
  5. Historical materiality of performance: On the costumes ofThe Rite of Spring(1913)
  6. Ballets Russes and Blackface
  7. Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance; Caroline Joan S. Picart, Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
  8. Re-imagining: A Case Study of Exercises and Strategies
  9. Clare Croft, Dancers as Diplomats: American Choreography in Cultural Exchange
  10. Democratic Bodies? Reflections on «Postmodern Dance» in the United States and Finland
  11. Corporeal Memories: A Historian’s Practice
  12. Do Not Cross the Line—Dance as Political Protest in Christopher Winkler'sThe True Face
  13. Comedy Ballet as Social Commentary: Till Eulenspiegel (1916)
  14. Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde
  15. Dancing Genius
  16. Orientalism
  17. Corporeality
  18. Conclusion
  19. Male Beauty
  20. Revolutionary Exiles
  21. An Audience for Ballet
  22. Introduction: a Genealogy
  23. The Mad Genius
  24. The Old and the New Ballet
  25. The Unique Genius
  26. ‘Great Horizons Flooded with the Alien Light of the Sun’: Le Sacre du Printemps in the Russian Context
  27. The Invention of Norden
  28. Akim Volynsky: Ballet's Magic Kingdom: Selected Writings on Dance in Russia, 1911–1925. Translated, Edited, with an Introduction and Notes by Stanley J. Rabinowitz. Yale University Press, New Haven and London 2008. ISBN 978–0-300-12462-0, 288 ss.
  29. Sjeng Scheijen, Diaghilev: A Life. Trans. Jane Hedley-Prôle and S.J. Leinbach. London: Profile Books, 2009 (Dutch 2009). 552pp, 70 illustrations of which 8 in colour. ISBN: 9781846681417. £25.00.
  30. Charles R. Batson, Dance, Desire, and Anxiety in Early Twentieth-Century French Theater: Playing Identities, Ashgate, Aldershot, Hants and Burlington, Vermont, 2005, 275pp. ISBN: 978-0754651307.
  31. Rhonda K. Garelick, Electric Salome: Loie Fuller's Performance of Modernism. Princeton and Oxford: Princeton University Press, 2007, 246 pp., illustrated. ISBN: 978-0691141091.Ann Cooper Albright, Traces of Light: Absence and Presence in the Work of Lo...
  32. Failed Impressions: Diaghilev's Ballets Russes in America, 1916
  33. Critical Silence: The Unseemly Games of Love in Jeux (1913)
  34. Dancing without Space – On Nijinsky'sL'Après-midi d'un Faune(1912)
  35. Dance of the Past in the Present: Teaching a Metahistory
  36. ‘The Russian Barnum’: Russian Opinions on Diaghilev's Ballets Russes, 1909–1914
  37. Kinesthesia, Synesthesia andLe Sacre du Printemps: Responses to Dance Modernism
  38. Book Reviews
  39. Introduction
  40. Orientalism
  41. Corporeality
  42. Conclusion
  43. The Unique Genius
  44. The Mad Genius
  45. Male Beauty
  46. Revolutionary Exiles
  47. An Audience for Ballet
  48. The Old and the New Ballet