All Stories

  1. Blackamoors on Ballet Stages
  2. 22. Appropriation, Abstraction and Appraisal: Modernist Legacies of Contemporary Dance
  3. Ballets Russes y blackface
  4. Staging a ‘Children’s Classic’, teaching racism: Pippi Longstocking ([2005] 2019)
  5. Choreographing Histories: Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship
  6. From historical materiality to performance: Choreographic functions of the costumes in The Rite of Spring (1913)
  7. On “Contemporaneity” in Ballet and Contemporary Dance
  8. Historical materiality of performance: On the costumes ofThe Rite of Spring(1913)
  9. Ballets Russes and Blackface
  10. Aesthetics (presentation at CARPA6)
  11. Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance; Caroline Joan S. Picart, Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
  12. Re-imagining: A Case Study of Exercises and Strategies
  13. Clare Croft, Dancers as Diplomats: American Choreography in Cultural Exchange
  14. Democratic Bodies? Reflections on «Postmodern Dance» in the United States and Finland
  15. Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia by Janice Ross . 2015. New Haven & London: Yale University Press. 522 pp., b/w illustrations., $40.00. ISBN: 9780300207637.
  16. Koreografian ja historiantutkimuksen uudelleen kuvittelua
  17. Corporeal Memories: A Historian’s Practice
  18. Do Not Cross the Line—Dance as Political Protest in Christopher Winkler'sThe True Face
  19. Swans of the Kremlin: Ballet and Power in Soviet Russia by Christina Ezrahi. 2012. Pitt Series in Russian and Eastern European Studies. Pittsburgh, PA: University of Pittsburgh Press & Binsted, Hampshire, UK: Dance Books. 322 pp., illustrations, no...
  20. Comedy Ballet as Social Commentary: Till Eulenspiegel (1916)
  21. Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde
  22. Dancing Genius
  23. Orientalism
  24. Corporeality
  25. Conclusion
  26. Male Beauty
  27. Revolutionary Exiles
  28. An Audience for Ballet
  29. Introduction: a Genealogy
  30. The Mad Genius
  31. The Old and the New Ballet
  32. The Unique Genius
  33. ‘Great Horizons Flooded with the Alien Light of the Sun’: Le Sacre du Printemps in the Russian Context
  34. The Invention of Norden
  35. Akim Volynsky: Ballet's Magic Kingdom: Selected Writings on Dance in Russia, 1911–1925. Translated, Edited, with an Introduction and Notes by Stanley J. Rabinowitz. Yale University Press, New Haven and London 2008. ISBN 978–0-300-12462-0, 288 ss.
  36. Sjeng Scheijen, Diaghilev: A Life. Trans. Jane Hedley-Prôle and S.J. Leinbach. London: Profile Books, 2009 (Dutch 2009). 552pp, 70 illustrations of which 8 in colour. ISBN: 9781846681417. £25.00.
  37. Charles R. Batson, Dance, Desire, and Anxiety in Early Twentieth-Century French Theater: Playing Identities , Ashgate, Aldershot, Hants and Burlington, Vermont, 2005, 275pp. ISBN: 978-0754651307.
  38. Rhonda K. Garelick, Electric Salome: Loie Fuller's Performance of Modernism. Princeton and Oxford: Princeton University Press, 2007, 246 pp., illustrated. ISBN: 978-0691141091.Ann Cooper Albright, Traces of Light: Absence and Presence in the Work of Lo...
  39. Failed Impressions: Diaghilev's Ballets Russes in America, 1916
  40. Critical Silence: The Unseemly Games of Love in Jeux (1913)
  41. Dancing without Space – On Nijinsky'sL'Après-midi d'un Faune(1912)
  42. Dance of the Past in the Present: Teaching a Metahistory
  43. ‘The Russian Barnum’: Russian Opinions on Diaghilev's Ballets Russes, 1909–1914
  44. Kinesthesia, Synesthesia andLe Sacre du Printemps: Responses to Dance Modernism
  45. Book Reviews
  46. Introduction
  47. Orientalism
  48. Corporeality
  49. Conclusion
  50. The Unique Genius
  51. The Mad Genius
  52. Male Beauty
  53. Revolutionary Exiles
  54. An Audience for Ballet
  55. The Old and the New Ballet
  56. Nijinsky, Vaslav (1889–1950)