All Stories

  1. “We’re All in This Together”: Reality, Vulnerability and Democratic Representation in Tim Crouch’s The Author
  2. “Who Is the Performer and Who Is the Spectator?”
  3. Rethinking Character in Contemporary British Theatre
  4. Performances of Capitalism, Crises and Resistance
  5. Making Time: The Prefigurative Politics of Quarantine’s Entitled
  6. Reviews
  7. Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane’s Cleansed, Crave, and 4.48 Psychosis