What is it about?
This paper examines how Japanese television came to rely on the live laughter of largely female audiences. I argue that this strategy of courting women's laughter was central to early TV's aim, in Japan, to create and support the image of a national family-like audience around the medium.
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Why is it important?
The article provides a granular look at a media history outside of the familiar US-based ones: that of Japanese television. It demonstrates how the sound of laughter and gendered attributes attached to it played a vital, if often unremarked role in that history's development.
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This page is a summary of: ‘Can mom laugh?’: The production of the Japanese television family, 1960s‐80s, East Asian Journal of Popular Culture, September 2022, Intellect,
DOI: 10.1386/eapc_00077_1.
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